AND The Sacred Blacksmith Vol. 1 story by Isao Miura; art by Kotaro Yamada
In a recent interview I commented that Steven Erikson and I have often been approached by people expressing surprise, even disbelief, at our long-standing collaboration in a co-created world (The Malazan Empire). These comments always come as a surprise to us because in retrospect the process seemed an entirely natural one. It simply unfolded organically—we worked the world out together, bouncing ideas off each other and laughing an awful lot in the process.
In many ways writing is actually a profoundly lonely and isolating undertaking. For me it was a privilege and a pleasure to have someone to share the material with. And I benefited enormously. I hope Steve did so, too. And I’m sure the product, the stories themselves, benefited as well. The give and take, the topping of ideas and undermining of each other’s characters’ goals, all added an extra layer of complexity and—dare I say realism—to so many threads. So many times one of us picked up what the other had added only to turn it completely inside out, or reverse it entirely, all to the surprise and enjoyment of both. I remember one particular immortal exchange between us (one that has yet to see print) wherein I explained that the paranoid Kellanved, then owner of a bar named Smiley’s, was spying and listening in on his employees by drilling holes in the floor of his office over the bar. Later, Steve had Dancer come upstairs, see Kellanved with his ear pressed to a hole and his bum in the air, and promptly kick him across the room. We threw that scene at each other across a table in Victoria, B.C.
After those early years the material lay fallow for quite a while. Yet the dream of writing never went entirely away for either of us. In the end it was Steve’s stubborn determination (and extraordinary talent!) that dragged it through to its eventual realization. Then, even though time had intervened, it was the natural thing to simply pick up the material once again knowing full well what had to be done. And since then, for me, it has all been a matter of attempting to do justice to what we begun. All I hope to do is give fullest depth and emotional truth to what we created.
From the Tor/Forge May newsletter. Sign up to receive our newsletter via email.
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Today, Tor.com launched the epic fantasy re-read of the novels by Steven Erikson and Ian C. Esslemont’s in their co-created Malazan Empire world. Modeled after Leigh Butler’s fabulous Wheel of Time re-read, capable bloggers and fantasy critics Bill Capossere and Amanda Rutter (FantasyLiterature.com) will reintroduce Whiskeyjack, Anomander Rake, Quick Ben, Kalam Mekhar, Fiddler, Iskaral Pust, and all the other great characters from this dark and complex fantasy world, a few chapters at a time. And with the completion of each book in the re-read, Steven Erikson and Ian C. Esslemont will weigh in with their reactions to the posts, comments, ideas, and theories of the fans and bloggers.
Ian C. Esslemont’s Return of the Crimson Guard, set in the same universe as Malazan co-creator Steven Erikson’s New York Times bestselling series, receives hearty praise in a starred review in the current issue of PW:
“In a long, bloody, explosive-filled battle to end all battles, Esslemont handily outdoes series cocreator Steven Erikson, evoking the gore and grit of the battlefield while cannily expanding the labyrinthine Malazan world.”
Full review below:
Return of the Crimson Guard Ian C. Esslemont. Tor, $27 (720p) ISBN 978-0-7653-2370-5; $17.99 paper ISBN 978-0-7653-2372-9
Nearly 100 years ago, the Crimson Guard vowed they would not die until they destroyed the Malazan Empire. In this riveting sequel to 2009’s Night of Knives, the time has come for that vow to be fulfilled. The empire has been stretched too far, too thin. Empress Laseen is boxed up in Unta, the imperial capital, while the conquered and the conquerors clash on the Seti Plains. At last the call comes for the Crimson Guard to re-form and add their undying forces to the melee. In a long, bloody, explosive-filled battle to end all battles, Esslemont handily outdoes series cocreator Steven Erikson, evoking the gore and grit of the battlefield while cannily expanding the labyrinthine Malazan world and untangling the wickedly intertwined stories just enough to keep readers from feeling lost. (Apr.)
In their March 2, 2009 issue, Publishers Weekly awards Ian C. Esslemont’s Night of Knives a starred review, praising the book as a worthy debut from the co-creator of Steven Erikson’s extraordinary Malazan Empire:
“Steven Erickson’s Malazan Book of the Fallen series only hints at the empire’s distant history, which Esslemont, cocreator of the original world, explores in this dark, powerful novel…Esslemont nails the feel and flavor of Erickson’s books and brings the historical characters to life with a dexterity that will win over even the most skeptical fans.”
The full review:
Night of Knives: A Novel of the Malazan Empire
Ian C. Esslemont.
Tor, $25.95 (304p) ISBN 978-0-7653-2369-9;
$14.95 paper ISBN 978-0-7653-2371-2
Steven Erickson’s Malazan Book of the Fallen series only hints at the empire’s distant history, which Esslemont, cocreator of the original world, explores in this dark, powerful novel (first published in the U.K. in 2004) and its planned sequels. On a Shadow Moon night on the Isle of Malaz, dead souls rise and demonlike hounds attack any who dare to leave their homes. Knowing that Emperor Kellanved is prophesied to use the Shadow Moon for his own ends, the emperor’s enemies gather on the small island for their own nefarious purposes, starting a plot that spirals into bloody violence. Esslemont nails the feel and flavor of Erickson’s books and brings the historical characters to life with a dexterity that will win over even the most skeptical fans. (May)