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Denene Millner on the Personal Story Behind One Blood

One BloodPotent, poetic, powerful, told with deep love, and spanning from the Great Migration to the civil unrest of the 1960s to the quest for women’s equality in early 2000s, Denene Millner’s beautifully wrought novel, One Blood, explores three women’s intimate, and often complicated, struggle with what it truly means to be family.

Continue onwards to read Denene’s beautiful and heartfelt note in honor of National Adoption Month.


Dear Reader,

I discovered my adoption certificate at age twelve, while snooping in my parents’ private papers. Asking questions about it wasn’t an option; I was too shocked and scared to say anything because, well, I had no business peeking into that metal box, for one, and two, saying it out loud would make it an alternate reality I wasn’t ready to dissect or accept.

My parents had kept it a secret. They didn’t intend to tell me about it and leaving it that way just made sense for them, so I made it make sense for me, too. I pushed it deep into the recesses, past thick skin and blood and heart muscle—memory—and became the very fabric of the Millner clan. For the longest time, that was beyond enough.

That changed, though, when I got pregnant with my first baby and the questions started: “What’s your health history?” “Do healthy pregnancies run in your family?” “What’s in your blood?” My doctors wanted details. I couldn’t give them. Suddenly, the information I thought wasn’t important actually was. What and who is in your blood?

That’s an answer I’ll never truly have. The night we buried my mother—she died without knowing I knew about my adoption—my father gave me a small piece of my story, the only piece he knows: Someone had left me, a baby, on the stoop of an orphanage, and four days later, he and my mom went looking for a little girl and found me in a corner crib in the basement, arms outstretched, ready to go. That was the beginning and end of my “birth” story.

Over the years, I’ve used my imagination to fill in that story with color and light and grace: Maybe my birth mother was young and scared and couldn’t fathom raising a baby on her own. Maybe she was forced to leave me on that stoop by a family that refused to support her and her child. Maybe she was in an abusive relationship and feared her baby would get swooped into the violence. There are so many ways that it could have ended badly for me, a defenseless baby. But instead, this woman, this angel, gave me life, and then gave me life again by giving me away.

It was a decision—a beautiful, selfless decision steeped in pain, heartbreak and, yes, love—that I can only understand because I am now a mother who carried her own babies in her womb and couldn’t fathom the strength and courage and resolve it would take to leave my children, my blood, the very beat of my heart, on a stoop for someone else to have.

It is the ultimate sacrifice. A miracle.

It was my mediation on miracles, adoption, motherhood, Blackness, Black womanhood, choices, and blood that led me to One Blood, an epic, fictional story told in three parts, about the connection between three women: a birth mother who had her child taken away; the adoptive mother who raised that child; and the child who is the literal product of the two. In One Blood, I’m exploring how race, culture, history, gender inequality, respectability, marriage, mothering, DNA, hate, and, ultimately, love inform the lives of three women intricately connected by the blessings and curses of motherhood—specifically Black motherhood. This sprawling story, set in the American South during the Great Migration, in New York during the Civil Rights Movement and the fight for the Equal Rights Amendment, and in Brooklyn during the ’90s and early 2000s, with the struggle for work/life balance as its backdrop, is an opus to adoption, birthing, African spirituality, Black healers, Black babies, Black motherhood and Black femininity, and how each of these things can either destroy us or set us free.

I wrote this story because I have many questions and zero answers about my past—because I am curious about it, but also scared of what I will find. Of who I will hurt. I write this story because my birth mother and many more like her deserve context—deserve some color in the stark black- and-white judgment we reserve for women who give their babies away. I write this story for my mother and the Black women of her generation, who were led to believe that their very survival was wholly dependent on their being mothers and wives, and that this should be the sole source of their ambition—even as American racism conspired to stop Black women like my mother from succeeding at those very roles.

Telling this story in this way allows me to air out what all my life has gone unspoken, with the intent of honoring the stories—indeed, the lives and plights—of the Black women in my own life, who represent in no small measure the lives of Black women in general. That my mothers—and Black mothers like them—fought through this gauntlet of heartache, loss, subterfuge, patriarchy, and pain and came out on the other side of it is a miracle. A miracle that warrants exploration.

The word “miracle” is a most appropriate descriptor when I think of my own adoption and certainly the writing of One Blood. Consider the miracle of birth—what it takes for sperm to meet egg and egg to attach to womb and for womb to maintain the absolute perfect conditions for new life and for new life to find its way to loving arms. Now consider the miracle of my particular adoption—what it took for my birth mother to get pregnant and give birth, but also to take this new life and make it so that it could find its way to loving arms. My parents’ arms. The arms of a mother whose blood was not my blood but whose heart connection was so deep, so expansive, so unconditional, so incredibly full, that it created the most perfect conditions for me to be . . . me. Safe. Successful. Happy. Deeply loved. Not by just one mother, but two.

This is a lesson I’ve been learning bit by bit since I was that little twelve-year-old girl stumbling across her adoption papers and keeping the secrets and learning to love wholly, fully, like a mother. I have two moms who adored me. I don’t doubt for a second that I am the lucky one.

Still, I’ll always be led to that burning question: Who is in my blood? How much does it matter? Could those answers get me, a Black woman, free?

This, indeed, is the intent of One Blood: to help us get to the miracle of freedom.


One Blood is available now!

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The Naming Song – An Adventure With Jedediah Berry

opens in a new windowThe Naming Song

Imagine a world where words themselves are vanishing, leaving behind a haunting silence and a landscape of forgotten stories. That’s the world of opens in a new windowThe Naming Song by Jedediah Berry—a post-apocalyptic fantasy following a nameless courier who joins a troupe of traveling performers, helping to rekindle memories of a world that once thrived on language and connection. To celebrate the release, Jedediah Berry took to the road on a whimsical adventure to rediscover his own creation…

Watch his journey unfold in the video below!


A Short Film – The Naming Song


Order your copy of opens in a new windowThe Naming Song below!

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Travis Baldree on Legends & Lattes and Writing

opens in a new window9781250342782With its warm, comforting vibes, opens in a new windowLegends & Lattes has become a go-to high fantasy read for fans of cozy stories and low-stakes adventures!

Now, for the first time, this fan favorite is available in a stunning hardcover edition with exclusive new chapter art, gorgeous endpapers, and stenciled edges—only available for a limited time. opens in a new windowBookshops & Bonedust, too! In celebration, we’re revisiting our interview with author Travis Baldree to give you look into the world of opens in a new windowLegends & Lattes!


What Inspired You to Write Legends & Lattes?

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Who Was Your Favorite Character to Write?

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Have You Sample Any of the Snacks from Your Book?

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Any Advice for Authors Looking to Self-publish?

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Rapid Q&A

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Order opens in a new windowLegends & Lattes Here:

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Order opens in a new windowBookshops & Bonedust Here:

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Author Spotlight: Olivie Blake on Masters of Death

opens in a new window9781250884879

In honor of the paperback edition of opens in a new windowMasters of Death by *the* bestselling sensation Olivie Blake finally hitting the shelves, we’re bringing back this fun, in-office chat we had with her. She dives into all things supernatural creatures, relationships of love and turmoil, Death’s godson, and more! <3

Oh, and don’t forget! This paperback edition includes a special bonus story and beautiful purple sprayed edges.

Check it out!


What inspired you to write Masters of Death?

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How did you approach writing from the perspective of undying immortals?

video soruce


Do you have a message about Masters of Death that you’d like to communicate to potential readers?

video soruce


Rapid Q&A!

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Order Masters of Death Here:

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The Inspiration Behind A Certain Kind of Starlight: ‘Stars Fell’ by Heather Webber

A Certain Kind of StarlightIn the face of hardship, two women, Addie and Tessa Jane, learn how to rise up again under the bright side of the stars in A Certain Kind of Starlight, the next book from USA Today bestselling author Heather Webber, “the queen of magical small-town charm” (Amy E. Reichert). Under the bright side of the stars, Addie and Tessa Jane come to see that magic can be found in trusting yourself, that falling apart is simply a chance to rise up again, stronger than ever, and that the heart usually knows the best path through the darkness.

Read below to see Heather’s beautiful statement on the inspiration behind her upcoming novel, A Certain Kind of Starlight!


by Heather Webber:

Stars Fell

In a couple of weeks, I’ll be in a car, headed south to Alabama. Just like I was back in 2007, when I visited the state for the first time. In the way that some things never change, I’m sure I’ll be eating things not very good for me, listening to music and singing—badly—along. I’ll probably groan at the traffic in Nashville and break into a big smile when I see the green Welcome to Alabama road sign.

After I cross the state line, I know I’ll start looking for Alabama license plates that have Stars Fell on Alabama written on them, because there’s a soft spot in my heart for those plates, that phrase.

Back in 2007, when I saw the plates for the first time, I didn’t know the story behind the phrase. I quickly learned it was in reference to a widespread meteor shower in 1833, where it appeared as though hundreds of stars were falling from the sky. I was enchanted with the thought of it.

Although I’ve referenced the celestial event a couple of times in previous books, I knew one day I wanted to write a whole magical story around a fallen star—and I did just that in A Certain Kind of Starlight.

In the novel, the town of Starlight, Alabama, is famous for the field where a star once fell a hundred years before, leaving behind a shallow crater. At night that crater glows with a magical aurora where people can find clarity and guidance in the light. No one needs that clarity more than two sisters who come back to town to help their beloved aunt run her bakery while she deals with health problems.

At its core, it’s a story about broken hearts, literal and figurative, and trying to heal them even while knowing they might not be fixable. And although the book deals with some tough topics, it’s a heartwarming story full of love, forgiveness, healing, and learning that only through darkness can stars shine the brightest.

During my upcoming trip to Alabama, I’ll definitely be keeping an eye on the skies at night, watching for falling stars. And during the day, I’ll keep hopeful eyes on the road, looking for the license plate that inspired this story, even though those plates were retired in 2009.

Will I see one?

I think so.

Because, as we know, I’m a big believer in southern magic.


Click below to pre-order your copy of A Certain Kind of Starlight, available July 23rd, 2024!

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Space(fam) Jam! L. M. Sagas on Found Family in Space

opens in a new windowcascade failure by l m sagasHere at the Tor Blog, we’re pretty good at lists. It’s kind of our bread and butter, and since (as stated) we’re decent listicle chefs, we add all the culinary accoutrements when we cook a bread’n’butter listicle.  That’s very convoluted, but suffice to say: we are impressed with the listicle of spacefaring found families put together by L. M. Sagas, author of  opens in a new windowCascade Failure, a science fiction adventure novel that is out today! So check out this list, and then check out L. M. Sagas’ book. Then read more listicles and more books. Reading is good!


by L. M. Sagas

Fantasy, mystery, horror—for my money, found family’s a top-tier trope in any genre. But as you might’ve guessed from the title, there’s one take on this classic trope that’s especially near and dear to my heart: found families in space

I’m not quite sure if it’s the sheer variety of folks (and folk-like humanoids, organisms, and assorted extraterrestrials) you see coming together from the far reaches of the universe, or the delightful volatility of cramming them all in a high-tech soda can for long periods of time and shaking them up ’til it pops. Maybe it’s C, all of the above, and a secret third thing besides. Whatever it is, something about a spacefam just hits different—especially when it’s full of mismatched pieces that shouldn’t work but do

My upcoming novel, Cascade Failure, follows the adventures (and misadventures) of just such a spacefam. But the crew of the Ambit isn’t the first ragtag bunch of misfits to cobble together a home among the stars. Here’s a list of some (but by no means all!) of my favorite spacefaring found families across different books and television. 

opens in a new windowthe long way to a small angry planet by becky chambersThe Wayfarer Crew from Becky Chambers’ opens in a new windowWayfarers Series

If you’re on the hunt for a heartfelt, hopeful, and occasionally hilarious example of a space-based found family with members from all walks of interstellar life, look no further than Rosemary Harper and the motley crew of the Wayfarer. They’ve got humans and Aandrisks and Harmagians (oh my!), and a few more species and subspecies besides, and each one brings their own needs, their own perspectives, and their own culture to life aboard that charming little vessel. And as awesome as each character is on their own, what I really love about this story is the way they interact with each other—the bits and pieces of themselves they share, the accommodations they make for one another, the respect that they have (even if there are a few hiccups along the way). It takes this great, sprawling universe and makes it feel small in the best possible way. And did I mention it’s cozy? Because it’s super cozy. 

opens in a new windowthe last watch by j s dewesThe Sentinels from J.S. Dewes’ opens in a new windowThe Divide Series

There are few things I enjoy more than a bunch of stubborn, self-reliant smartasses who absolutely do not need to rely on other people, being forced into a situation where—you guessed it—they really need to rely on other people. That’s exactly what you get with The Divide series, with some wicked-fun flourishes along the way. You start off with the Sentinels, a crew of outcasts from wildly varied backgrounds who are stuck together playing Night Watch (for you Game of Thrones fans out there) at the end of the universe, and they all seem pretty happy to keep themselves to themselves—at least, as much as they can, living together on a ship in the outer reaches of space. 

But when the rubber meets the road—or, in this case, when the semi-retired warship meets the ever-compressing boundaries of the universe—they all have to scrunch their eyes, pinch their noses, and take that Big Scary Leap into trusting each other, and the relationships that bloom from that choice turn that outcast, misfit crew into a bona fide found family you can’t help cheering for. Warning: it may also leave you craving veggie pie. 

opens in a new windowthe vanished birds by simon jimenezNia and Ahro from Simon Jimenez’s opens in a new windowThe Vanished Birds 

Everyone loves a good “unlikely adoptive parent” story (that’s right, we’re looking at you, Pedro Pascal’s Collecting Magical Orphans Cinematic Universe), and the duo I lovingly call the “Flute Fam” hits all my favorite notes (pun intended). Nia definitely isn’t the first person anyone would pick to take in a lost kid, much less a mysterious, musical lost kid with bucketsful of trauma and a future that could fundamentally change the way humanity experiences the universe. But slowly, through trial and error and the judicious use of food-bribes and humor, she and little (and then eventually not-so-little) Ahro fumble and feel their way to a profound bond that reshapes both of their lives, and the lives of those around them.

opens in a new windowleviathan wakes by james s a coreyThe Crew of the Rocinante from opens in a new windowThe Expanse Series by duo James S.A. Corey

Families can be messy, and I think that’s true of found families, too. To me, that’s one of the most appealing things about the crew of the Rocinante (both in the book series and the television show): the messiness. From Holden’s occasionally ill-fated idealism to Amos’s, erm, nonchalant approach to violence, each of the characters comes with their own rough edges, and they don’t always fit so smoothly together. But those moments of tension are just as compelling as the moments when everything gels, and when you put them all together, it paints such a visceral, relatable picture of life and love in the crucible of space that it’s got a permanent spot on my list of favs.  

opens in a new windowthe killjoys by syfy season 1 promotional image, which includes three characters with weapons walking out of bright light coolyTeam Awesome Force from opens in a new windowKilljoys

Confession time: if you’re familiar with the show, you’ll know that part of this found fam is also technically fam fam, since the brothers Jaqobis are actually brothers. But nevertheless, I stand by this pick, because it’s a witty, gritty, bombastically optimistic example of one of my favorite aspects of the trope: putting your ass on the line for the family you choose. Across flashbacks and character arcs and an array of major and minor cataclysms, you get to see so many moments where each of these characters—Dutch, Johnny, D’avin, even Lucy-the-ship-AI—look at each other and roll their eyes and go, yeah, sure, I’d die for that idiot, because no matter how much they screw with each other, nobody had better screw with them. And I just think that’s beautiful. 

That’s it for the list! There’s definitely plenty more out there to choose from, and if you’ve got some to add, please drop a comment and share. And for more spacefam fun (and feels!), don’t forget to check out my book, Cascade Failure, on sale now!


Order opens in a new windowCascade Failure Here!

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Queer Robots & Real Love: TJ Klune Talks In the Lives of Puppets

opens in a new windowin the lives of puppets by tj kluneLast year, TJ Klune’s  opens in a new windowIn the Lives of Puppets released to tremendous acclaim. This year, it’s releasing in paperback, making this story of queer robots and real love available to new readers! TJ’s here to talk his book and explain how he’s going to make you fall in love with a vacuum cleaner named Rambo.

Check it out!


Dear Reader,

Once upon a time, I took you to an island to find a home where one should not exist. After, I invited you to a mysterious tea shop where the living helped the dead find meaning and purpose, joy and acceptance.

For my next trick, I’m going to make you fall in love with a vacuum cleaner named Rambo.

Okay, wait. Let me back up a minute.

I am so thrilled to present In the Lives of Puppets, a queer retelling of Carlo Collodi’s The Adventures of Pinocchio. In the following pages, you’ll be going on an adventure unlike anything you’ve seen from me before. Though this story deals with robotics, androids and machines of all shapes and sizes, it is firmly rooted in fantasy, a fable that explores the ideas of kindness, humanity, and forgiveness, including who has the right to forgive.

This book is not The House in the Cerulean Sea. This book is not Under the Whispering Door. There is no stuffy, bland middlemanager bureaucrat in need of a wake-up call or an attorney who finds life after death. There is no island to discover, no tea shop to make a home. This is the story of an already happy family who built each other up and carved out their place in the world. And this time I’m taking their home away from them. I’m sending them on a journey across a strange and dangerous country to save one of their own and fight to reclaim the happiness they worked so hard to build together.

But in this journey, you will find hints of the familiar: love, life, and the hope for a better future, all wrapped up in a story of loyalty in the face of betrayal and how even the smallest of us can make a difference when called upon to do so. It is also about the heart and soul of Victor Lawson—the main character, and the only human of the bunch. Though he was raised by machines, I set out to show that Victor’s humanity could not be denied, that it wasn’t something that needed to be justified or earned. It just is, and in this unforgiving place, it counts for something. Perhaps everything.

But Vic won’t be going it alone. He will have his friends with him: Rambo, the vacuum who wants only to be loved (so you better get on that, no pressure). Nurse Ratched, a nursing machine who has a few of her wires crossed, sadistically so. And a machine with a dark past. A robot with secrets locked away in his head. An android with blood on his hands and a heart in his chest: Hap, also known as the Hysterically Angry Puppet.

Together, they must do the impossible: travel to the soulless heart of this world and bring the last member of their family home. And in doing so, they will learn the truth about the past, the present, and the future of all things.

Are you ready for an adventure?

TJ Klune


Order  opens in a new windowIn the Lives of Puppets in Paperback Here!

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Author Spotlight: Olivie Blake on Masters of Death

opens in a new windowmasters of death by olivie blake opens in a new windowMasters of Death is a New York Times bestselling sensation written by *the* bestselling sensation, Olivie Blake. It’s about supernatural creatures struggling, relationships of love and turmoil stronger than mortality, and Death’s godson, who is both a professional medium and a shameless fraud <3. But don’t just take that silly intro sentences’ word for it, we have Olivie herself here in the Tor office to chat about her book!

Check it out!


What inspired you to write Masters of Death?

video soruce


How did you approach writing from the perspective of undying immortals?

video soruce


Do you have a message about Masters of Death that you’d like to communicate to potential readers?

video soruce


Rapid Q&A!

video soruce


Order opens in a new windowMasters of Death Here:

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Cory Doctorow: The Swerve

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opens in a new windowthe lost cause by cory doctorowby Cory Doctorow

Dystopia isn’t a setting – it’s a vibe. There’s nothing dystopian about depicting a world where things are breaking down. Things break down. Assuming things won’t break down doesn’t make you an optimist – it makes you a dangerous asshole. “Things won’t break down” is the thinking that leads to “so the Titanic doesn’t need lifeboats.”

Dystopia is a society where things are breaking down – and no one will lift a finger to fix it.

My next novel, opens in a new windowThe Lost Cause, is set in the midst of a spiraling climate crisis punctuated by mass death from zoonitic plagues, floods, wildfires, and drought. Tens of millions of Americans have become internal refugees, their hometowns wiped off the map.

It is a utopian novel.

What makes this novel of a world in worsening calamity, attended by unimaginable human suffering, “utopian?”

Simple: they’re doing something about it.

In July 2022, I wrote the following for my column in Locus magazine:

━━ ˖°˖ ☾☆☽ ˖°˖ ━━━━━━━

We’re all trapped on a bus.

The bus is barreling towards a cliff.

Beyond the cliff is a canyon plunge any of us will be lucky to survive.

Even if we survive, none of us know how we’ll climb out of that deep canyon.

Some of us want to yank the wheel.

The bus is going so fast that yanking the wheel could cause the bus to roll.

There might be some broken bones.

There might be worse than broken bones.

The driver won’t yank the wheel.

The people in expensive front row seats agree.

“Yank the wheel? Are you crazy? Someone could break a leg!”

We say, “But there’s a cliff! We’re going to go over the cliff! We’re going to die!”

“Nonsense,” they say. “Long before we go over the cliff, we’ll have figured out how to put wings on this bus.”

We argue.

They add, “Besides, who’s to say we’ll fall off the cliff? Maybe we’ll be going so fast that we leap the canyon. Fonzie did it! Calm down. Hey! Keep your hands off the wheel? What are you, a terrorist? Don’t you dare do that again. Someone could get really badly hurt.”

The climate emergency is real and we are living through it. As I write this, I’ve emailed some writer friends in the southwest to ask if the fires threaten them or their homes. One hasn’t answered yet. The other wrote back to say they’re fine, but what about the wildfires near my house?

Oh, I wrote. We’re fine. So far. California is in for a hell of a wildfire season. It’s dry out there. It’s an emergency. Officially.

(It was an emergency before, but that was unofficial)

We’re not acting like it’s an emergency. In mid-May, The Guardian reported a bombshell: a series of planned “carbon bombs” – large-scale oil and gas projects that will “shatter the 1.5C climate goal.” The war in Ukraine has the world scrambling for winter heat – for sources of oil and gas, that is, not renewable alternatives.

Of course not. The only way for renewables to replace Russian oil and gas this coming winter is for Europe to have retooled around sustainable heating: a mix of beefed up insulation, heat pumps, and mass power storage. Those are long projects. We knew we’d need them decades ago, but we kicked the can down the road, and further down the road, and further.

Incredibly, climate denial still festers. “There’s no cliff,” they insist. “This bus is on a smooth road that goes all the way to the promised land. Only a fool would swerve now.”

The good news is: climate denial is on the wane. The bad news is: deniers have pivoted to incrementalism: “We’ll fix the climate. Give us a couple decades to phase out oil and gas. Give us a couple decades to replace the cars and retrofit the houses. Give us a couple decades to invent cool direct-air carbon capture systems, or hydrogen cars that work just like gas cars, or to replace our overland aviation routes with high speed rail, or to increase our urban density and swap out cars for subways and buses. Give us a couple decades to keep making money. We’ll get there.”

In other words: “We’re pretty sure we can get some wings on this bus before it goes over the cliff. Keep your hands off the wheel. Someone could get really badly hurt.”

People are already getting really badly hurt, and it’s only going to get worse. We’re poised to break through key planetary boundaries – loss of biosphere diversity, ocean acidification, land poisoning – whose damage will be global, profound and sustained. Once we rupture these boundaries, we have no idea how to repair them. None of our current technologies will suffice, nor will any of the technologies we think we know how to make or might know how to make.

These boundaries are the point of no return, the point at which it won’t mat­ter if we yank the wheel, because the bus is going over the cliff, swerve or no.

Focus on the swerve.

Believe it or not, the swerve is a happy ending. This is a hopeful article. Here’s what I hope we can do: I hope we can swerve.

A couple decades ago, the swerve might have been avoid­able. It was 1977 when Exxon’s own scientists concluded that their products would render the planet uninhabitable for humans. Exxon knew. They buried the research and paid for denial.

George H.W. Bush came into office in 1988 as the “Environ­mental President.” He campaigned on “conven[ing] a global conference on the environment at the White House. It will include the Soviets, the Chinese… The agenda will be clear. We will talk about global warming.” By 1992, he abandoned the idea of the US retooling to avert the catastrophe. “The American way of life,” he told the Rio Earth Summit, “is not up for negotiations. Period.”

If we’d started in 1977, we might have paid some civil engineers to build a bridge over the cliff. In 1988, it was still entirely possible. In 1992, the option was still there.

Today, time has run out for bridges.

All we’ve got left is the swerve.

We’ve got to seize the wheel of the bus. We’ve got to plunge past the first-class passengers in the front rows of the bus, and we have to yank the wheel. We have to swerve.

The bus will roll over. It won’t be nice. We will probably have to abandon some of our most beautiful coastal cities and towns. We will probably have to retool our industries in haste, and commandeer our factories to build new energy tech instead of consumer tchotchkes – the way we ordered factories to produce vaccines and PPE last year.

I don’t know what the first-class passengers were thinking. Some of them will be dead of natural causes before the bus goes over the cliff, and they didn’t want to sacrifice any of their material comforts to ensure that the rest of us continued to live once they passed on, I suppose.

Others are just ideologically committed to traveling in a straight line. The swerve is morally bankrupt. It’s communism. The only way to get over the cliff – if such a thing exists – is to floor the bus. Go as fast as possible. Leap the gorge! The Fonz did it, right?

The swerve is our hopeful future. Our happy ending isn’t averting the disas­ter. Our happy ending is surviving the disaster. Managed retreat. Emergency measures.

In the swerve, we’ll still have refugee crises, but we’ll address them hu­manely, rather than building gulags and guard-towers.

We’ll still have wildfires, but we’ll evacuate cities ahead of them, and we’ll commit billions to controlled burns.

We’ll still have floods, but we’ll relocate our cities out of floodplains.

We’ll still have zoonotic plagues as animals flee their disappearing habitat, but we’ll apply the lessons of COVID to them.

We’ll still have mass extinctions, but we’ll save the species we can, and we’ll prioritize habitat restoration as a way of preserving our horizontal broth­ers and sisters (as Muir called animals) and as a way of putting the climate back in balance.

We’ll swerve. The bus will roll. It will hurt. It will be terrible.

But we won’t be dead on canyon floor.

We’ll fix the bus. We’ll make it better. We’ll get it back on its wheels. We’ll get a better driver, and a better destination.

That’s our happy ending. That’s our hopeful future.

We gotta get ahold of that wheel first. You ready?

Let’s roll.

━━ ˖°˖ ☾☆☽ ˖°˖ ━━━━━━━

That’s what the people of The Lost Cause are doing. Through hard work and hard fighting, they create the historical contingency that allows them to call themselves “the first generation in a century that does not fear the future.”

They have embraced a muscular Green New Deal that treats the emergency with the gravitas and urgency it demands. They have embarked upon a 300-year project to relocate coastal cities inland, above the rising seas’ new level. They infill their cities, making space for refugees, who are welcomed as more hands and more minds to turn to surviving the crisis. They have grabbed the wheel and they’re swerving.

Of course, not everyone is happy about this. Those first class passengers, the ones who insisted that there was no cliff, that they’d figure out how to attach wings to the bus, that if the bus went fast enough it could leap the gorge? They’re furious – and they’re rich, and they have an army of followers who see things getting worse and blame the people who are working to make them better.

This counter-revolution is a powerful alliance of domestic white nationalist militias and seagoing anarcho-capitalist wreckers, determined to snatch defeat from victory’s jaws.

The Lost Cause is a novel about what we do with the losers of a just revolution. It is a story about fierce comradeship on both sides, and the special problems of winning the fight.


Cory Doctorow is a regular contributor to the GuardianLocus, and many other publications. He is a special consultant to the Electronic Frontier Foundation, an MIT Media Lab Research Associate and a visiting professor of Computer Science at the Open University. His award-winning novel Little Brother and its sequel Homeland were New York Times bestsellers. His novella collection Radicalized was a CBC Best Fiction of 2019 selection. Born and raised in Canada, he lives in Los Angeles.


Pre-order opens in a new windowThe Lost Cause Here!

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Travis Baldree on Bookshops & Bonedust and Writing

opens in a new windowbookshops & bonedust by travis baldree opens in a new windowBookshops & Bonedust is a story of high fantasy, first loves, and secondhand books. Set in the same world as  opens in a new windowLegends & Lattes, meet Viv in her sword-swinging mercenary days. Except it doesn’t look like she’ll be drawing a blade until she can finish her company-mandated recovery after a mission gone wrong. But even the sleepy town of Murk has more lurking adventure than Viv would have expected, and when can one ever anticipate affairs of the heart? 

A little while ago, Travis Baldree stopped by the Tor office to answer some questions about his upcoming work.

Check it out!


Did you originally intend to write another book in the Legends & Lattes universe?

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What character are you most excited for readers to meet in Bookshops & Bonedust?

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Who was your favorite character to write in Bookshops & Bonedust?

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How did you approach writing a romance both you and readers know won’t be endgame?

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What was the writing process like for this book? How did it differ from the first book?

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What’s the most important thing you hope people take away from Bookshops & Bonedust?

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Rapid Q&A

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Order opens in a new windowBookshops & Bonedust Here:

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