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7 Icy Songs & 7 Cool Books

by Julia Bergen & a cat

Yo VIP, let’s kick it.

Ice. It’s cool. It’s…there. But there’s not much humor to it. Not like opens in a new windowsand

But with winter upon us, we wanted to make an article about ice. But how to give ice a little chaos, a little twinkle, a little magic?

We thought. And we thought.

Ice…

Ice…

Baby?

And thus was born, the chaotic, twinkling, maybe even magical, icy songs and books pairing listicle.


opens in a new windowThe Cradle of Ice by James RollinsVanilla Ice’s Ice Ice Baby + James Rollins’ opens in a new windowThe Cradle of Ice

Taken in a certain light, Vanilla Ice’s classic Ice Ice Baby is a quest song. A group of heroes must collaborate and listen. They travel for a while, pursuing to the next stop. Action heats up when Gunshots ranged out like a bell and our heroes must get away before the jackers jack. But in the end they pull together as if with a rallying cry of, if there was a problem, yo, I’ll solve it.

What does that make you think of?

Obviously, the fantasy epic The Cradle of Ice by James Rollins! Where a soldier, a thief, a lost prince, and a young girl must form a fellowship to stop an apocalypse by traveling into a vast region of ice and to a sprawling capital of the world they’ve only known in stories. It’s an incredible, gripping fantasy, because Rollins truly understands that “anything less than the best is a felony.”


opens in a new windowThe Atlas Six by Olivie BlakePat Benetar’s Fire And Ice + Olivie Blake’s opens in a new windowThe Atlas Six

This anthem to the inevitability of attraction and heartbreak is the perfect tune to compliment the messy, messy personal dynamics at play in The Atlas Six. In the book, six powerful magicians do graduate research and contemplate asking out their crushes and murdering their friends. In the song, Pat Benetar is familiar with the capricious and cruel nature of the one she’s craving (You come on like a flame, then you turn a cold shoulder), but knowledge is not enough to prevent carnage. She knows if she surrenders to the heat she feels, it’ll fall away and she’ll be left in the cold (I want to give you my love, but you’ll just take a little piece of my heart). 

In the end, Pat seems determined not to fall for her crush’s games, while the characters of The Atlas Six are pretty much incapable of not allowing their peers to burn them, but talk is cheap. 

Ask Atlas Society resident Tristan Caine if he’s going back for more Fire And Ice, knowing he’ll be hurt, and he’ll tell you to shut up and get lost, but that’s only because he has somewhere to be. 

Also something something re: Robert Frost’s poem about fire, ice, and the end of the world. 


opens in a new windowstarter villain by john scalziForeigner’s Cold as Ice + John Scalzi’s opens in a new windowStarter Villain

Okay, on the outside, Cold as Ice by Foreigner may seem like it’s about a broken-hearted ex describing a former lover’s rejection. But ice can be deceiving, just like this song! I think it’s actually about a group of billionaire super villains trying to run the world, much like the cabal in John Scalzi’s sf romp, Starter Villain

They are cold as ice. They are willing to sacrifice. The line you’re digging for gold, particularly relevant, as these turds are just as into money as they into power. You want paradise well, their version of paradise, anyway. You leave the world behind, they don’t care about the world, they just want what they can get out of it.

But it ends on a hopeful note, as both Starter Villain and Foreigner promise us, someday you’ll pay the price, I know. Oh, we know.


opens in a new windowthe archive undying by emma mieko candonPinkPantheress & Ice Spice’s Boy’s a liar Pt. 2 + Emma Mieko Candon’s opens in a new windowThe Archive Undying

So before getting into more advanced parsing, The Archive Undying is a match for Boy’s a liar Pt. 2 because every boy in this book is lying through his teeth. Now, you could say that about all the women characters, nonbinary characters, and nonhuman characters too, and you’d be right. But Sunai, who is the main character of The Archive Undying—well, you just want to grab him by shoulders and plead with him to love himself a little and tear himself away from the long line of men that have only emotionally devastated him, knowing that Sunai himself is absolutely one of those men. The lyrics I don’t sleep enough without you / And I can’t eat enough without you are very Sunai-coded; he’s definitely not taking care of himself. He’s a man who would sooner feed himself to a giant starving robot than love himself enough to tell someone he loves them. 


opens in a new windowthe bezzle by cory doctorowBilly Joel’s Running on Ice + Cory Doctorow’s opens in a new windowThe Bezzle

When we were picking out pairings, this one felt like an obvious choice. Although Billy Joel could not possibly have read The Bezzle (on sale 2.20.2024) when he wrote Running on Ice (part of Joel’s album The Bridge, released 7.9.1986), it does feel like this song is about forensic accountant Martin Hench, AKA the culmination of technology and civilized experience.

The song describes someone pushed to the brink by modern civilization, and though the narrator doesn’t specifically say that he’s battling amoral billionaires trying to make their next buck no matter the cost, it’s basically implied. In a world of high rise ambition most people’s motives are ulterior? Definitely what Hench runs into in both Red Team Blues and the follow up, The Bezzle, where now he’s pitted against a group of the ultra rich taking advantage of the private prison system to make even more money. Poor Martin Hench, always wandering into another nefarious scheme. But as the song says, as soon as I get one fire put out

There’s another building burning down.

At least that means we’ve got lots of Martin Hench adventures to read?


opens in a new windowlast exit by max gladstoneSimon & Garfunkel’s A Hazy Shade of Winter + Max Gladstone’s opens in a new windowLast Exit

Look around / Leaves are brown / And the sky is a hazy shade of winter

Last Exit is kind of like that. Look around—things are not as they were. Leaves are brown—no youth, no hope. There’s a patch of snow on the ground

In the distant past before the events of Last Exit, Zelda and her friends discovered a magic sort of spiritual momentum that could propel one into a different dimension. The roads to alternate realities were a navigable spiderweb, and they knew they could use their findings to improve not just their world, but all of them. 

There’s a patch of snow on the ground

They were wrong, and they suffered for it, and the future is colder than the past. The rot between worlds—an interdimensional sickness—claimed Zelda’s girlfriend, but she’s still out there. Calling. Approaching. Does the old gang have enough idealism left to band together for one last adventure? 

There’s a patch of snow on the ground.

It is very cold. 


opens in a new windowprojections by s.e. porterChristina Perri’s Jar of Hearts + S. E. Porter’s opens in a new windowProjections

When we made this list, things were pretty silly. We called our brainstorming sess ice ice meeting. We were so, so goofy.  But honestly, a lot of these songs that invoke ice are about pain, which perhaps we could have anticipated, had we not been so initially focused on Vanilla Ice. 

Anyway, the ice in Jar of Hearts comes from this chorus: You’re gonna catch a cold / From the ice inside your soul / So don’t come back for me / Who do you think you are? The novel Projections is about as harrowing as those lines. A rejected sorcerer murders Catherine, the woman who denied him, and then sends projections of himself out into the world to seduce more women to add them to his jar of hearts. 

Catherine’s not about this, and haunts him. Seeks vengeance. As Christina Perri sang, Don’t you know I’m not your ghost anymore? 

The song and book aren’t 1-1 parallels, but the notes are all present. The hurt. The betrayal. The haunting. 


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Download a Free Digital Preview of Projections

opens in a new windowprojections by s e porter digital previewS.E. Porter, critically-acclaimed YA author of  opens in a new windowVassa in the Night, bursts onto the adult fantasy scene with her adult novel that is sure to appeal to fans of Jeff VanderMeer and China Miéville. Download a FREE sneak peek today!

Love may last a lifetime, but in this dark historical fantasy, the bitterness of rejection endures for centuries.

As a young woman seeks vengeance on the obsessed sorcerer who murdered her because he could not have her, her murderer sends projections of himself out into the world to seek out and seduce women who will return the love she denied—or suffer mortal consequence. A lush, gothic journey across worlds full of strange characters and even stranger magic.

Sarah Porter’s adult debut explores misogyny and the soul-corrupting power of unrequited love through an enchanted lens of violence and revenge.

Also by Sarah Porter:
opens in a new windowVassa in the Night
opens in a new windowWhen I Cast Your Shadow
opens in a new windowNever-Contented Things

Download a FREE sneak peek today!

Download Your Free Digital Preview:

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TOR BOOKS’ EXTREME WINTER QUIZ

by a cat 

Ever hear the phrase dead of winter? 

Yeah? Well forget it. This is the winter of being ALIVE and we’re taking that to the EXTREME.

Because nothing is more EXTREME than a silly quiz. Remember that. 

Forget the dead of winter; remember that.

Check it out!



And while you’ve got books on the brain, check out The Atlas Complex by Olivie Blake, and don’t forget to enter our opens in a new windowgift-with-purchase campaign to receive a cool enamel pin!

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Pre-order opens in a new windowThe Atlas Complex in Here:

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Every Tor Book Coming this Winter

If you’re like us, then your New Year’s resolution is to read more books this winter! This handy list of everything from Tor this season will help ☃️✨

Check it out!


December 5, 2023

opens in a new windowAll the Hidden Paths opens in a new windowall the hidden paths by foz meadows by Foz Meadows

With the plot against them foiled and the city of Qi-Katai in safe hands, newlywed and tentative lovers Velasin and Caethari have just begun to test the waters of their relationship. But the wider political ramifications of their marriage are still playing out across two nations, and all too soon, they’re summoned north to Tithena’s capital city, Qi-Xihan, to present themselves to its monarch. With Caethari newly invested as his grandmother’s heir and Velasin’s old ghosts gnawing at his heels, what little peace they’ve managed to find is swiftly put to the test. Cae’s recent losses have left him racked with grief and guilt, while Vel struggles with the disconnect between instincts that have kept him safe in secrecy and what an open life requires of him now. Pursued by unknown assailants and with Qi-Xihan’s court factions jockeying for power, Vel and Cae must use all the skills at their disposal to not only survive, but thrive.


January 9, 2024

opens in a new windowThe Atlas Complex opens in a new windowthe atlas complex by olivie blake by Olivie Blake

Only the extraordinary are chosen. Only the cunning survive. An explosive return to the library leaves the six Alexandrians vulnerable to the lethal terms of their recruitment. Old alliances quickly fracture as the initiates take opposing strategies as to how to deal with the deadly bargain they have so far failed to uphold. Those who remain with the archives wrestle with the ethics of their astronomical abilities, while elsewhere, an unlikely pair from the Society cohort partner to influence politics on a global stage. And still the outside world mobilizes to destroy them, while the Caretaker himself, Atlas Blakely, may yet succeed with a plan foreseen to have world-ending stakes. It’s a race to survive as the six Society recruits are faced with the question of what they’re willing to betray for limitless power—and who will be destroyed along the way.


January 16, 2024

opens in a new windowTo Challenge Heaven opens in a new windowto challenge heaven by david weber & chris kennedy by David Webber & Chris Kennedy

We’ve come a long way in the forty years since the Shongairi attacked Earth, killed half its people, and then were driven away by an alliance of humans with the other sentient bipeds who inhabit our planet. We took the technology they left behind, and rapidly built ourselves into a starfaring civilization. Because we haven’t got a moment to lose. Because it’s clear that there are even more powerful, more hostile aliens out there, and Earth needs allies. But it also transpires that the Shongairi expedition that nearly destroyed our home planet … wasn’t an official one. That, indeed, its commander may have been acting as an unwitting cats-paw for the Founders, the ancient alliance of very old, very evil aliens who run the Hegemony that dominates our galaxy, and who hold the Shongairi, as they hold most non-Founder species, in not-so-benign contempt. Indeed, it may turn out to be possible to turn the Shongairi into our allies against the Hegemony.


January 23, 2024

opens in a new windowKinning opens in a new windowkinning by nisi shawl by Nisi Shawl

The Great War is over. Everfair has found peace within its borders. But our heroes’ stories are far from done. Tink and his sister Bee-Lung are traveling the world via aircanoe, spreading the spores of a mysterious empathy-generating fungus. Through these spores, they seek to build bonds between people and help spread revolutionary sentiments of socialism and equality—the very ideals that led to Everfair’s founding. Meanwhile, Everfair’s Princess Mwadi and Prince Ilunga return home from a sojourn in Egypt to vie for their country’s rule following the abdication of their father King Mwenda. But their mother, Queen Josina, manipulates them both from behind the scenes, while also pitting Europe’s influenza-weakened political powers against one another as these countries fight to regain control of their rebellious colonies. Will Everfair continue to serve as a symbol of hope, freedom, and equality to anticolonial movements around the world, or will it fall to forces inside and out?

opens in a new windowFrom the Forest opens in a new windowfrom the forest by l.e. modesitt, jr. by L. E. Modesitt, Jr.

Alayiakal, who will one day be known by many names —not all of them flattering—has to climb the ranks of Cyador’s Mirror Lancers, fighting against unforeseen weapons and ancient technology. Alayiakal, however, has secrets of his own to protect: his ties to the Great Forest and his magus abilities. He must silently pretend to be a conventional soldier favored by fate—until that very same fate forces him to choose.

opens in a new windowStations of the Tide opens in a new windowstations of the tide by michael swanwick by Michael Swanwick

The Jubilee Tides will drown the continents of the planet Miranda beneath the weight of her own oceans. But as the once-in-two-centuries cataclysm approaches, an even greater catastrophe threatens this dark and dangerous planet of tale-spinners, conjurers, and shapechangers. A man from the Bureau of Proscribed Technologies has been sent to investigate. For Gregorian has come, a genius renegade scientist and charismatic bush wizard. With magic and forbidden technology, he plans to remake the rotting, dying world in his own evil image—and to force whom or whatever remains on its diminishing surface toward a terrifying and astonishing confrontation with death and transcendence. This novel of surreal hard SF was compared to the fiction of Gene Wolfe when it was first published, and the author has gone on in the two decades since to become recognized as one of the finest living SF and fantasy writers.


January 30, 2024

opens in a new windowHeartsong opens in a new windowheartsong by tj klune by TJ Klune

All Robbie Fontaine ever wanted was a place to belong. After the death of his mother, he bounces around from pack to pack, forming temporary bonds to keep from turning feral. It’s enough—until he receives a summons from the wolf stronghold in Caswell, Maine. Life as the trusted second to Michelle Hughes—the Alpha of all—and the cherished friend of a gentle old witch teaches Robbie what it means to be pack, to have a home. But when a mission from Michelle sends Robbie into the field, he finds himself questioning where he belongs and everything he’s been told. Whispers of traitorous wolves and wild magic abound—but who are the traitors and who the betrayed? More than anything, Robbie hungers for answers, because one of those alleged traitors is Kelly Bennett—the wolf who may be his mate. The truth has a way of coming out. And when it does, everything will shatter.


February 13, 2024

opens in a new windowProjections opens in a new windowprojections by s.e. porter by S. E. Porter

Love may last a lifetime, but in this dark historical fantasy, the bitterness of rejection endures for centuries. As a young woman seeks vengeance on the obsessed sorcerer who murdered her because he could not have her, her murderer sends projections of himself out into the world to seek out and seduce women who will return the love she denied—or suffer mortal consequence. A lush, gothic journey across worlds full of strange characters and even stranger magic. Sarah Porter’s adult debut explores misogyny and the soul-corrupting power of unrequited love through an enchanted lens of violence and revenge.


February 20, 2024

opens in a new windowThe Bezzle opens in a new windowthe bezzle by cory doctorow by Cory Doctorow

The year is 2006. Martin Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between people who want to hide money, and people who want to find it. He spends his downtime on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost 25$. Wait, what? When Marty disrupts a seemingly innocuous scheme during a vacation on Catalina Island, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life. Martin has made his most dangerous mistake yet: trespassed into the playgrounds of the ultra-wealthy and spoiled their fun. To them, money is a tool, a game, and a way to keep score, and they’ve found their newest mark—California’s Department of Corrections. Secure in the knowledge that they’re living behind far too many firewalls of shell companies and investors ever to be identified, they are interested not in the lives they ruin, but only in how much money they can extract from the government and the hundreds of thousands of prisoners they have at their mercy.


March 5, 2024

opens in a new windowThe Sunlit Man opens in a new windowthe sunlit man by brandon sanderson by Brandon Sanderson

Running. Putting distance between himself and the relentless Night Brigade has been Nomad’s strategy for years. Staying one or two steps ahead of his pursuers by skipping through the Cosmere from one world to the next. But now, his powers too depleted to escape, Nomad finds himself trapped on Canticle, a planet that will kill anyone who doesn’t keep moving. Fleeing the fires of a sunrise that melts the very stones, he is instantly caught up in the struggle between a heartless tyrant and the brave rebels who defy him. Failure means a quick death, incinerated by the sun… or a lifetime as a mindless slave. Tormented by the consequences of his past, Nomad must fight not only for his survival—but also for his very soul.


March 19, 2024

opens in a new windowCascade Failure opens in a new windowcascade failure by l m sagas by L. M. Sagas

There are only three real powers in the Spiral: the corporate power of the Trust versus the Union’s labor’s leverage. Between them the Guild tries to keep everyone’s hands above the table. It ain’t easy. Branded a Guild deserter, Jal “accidentally” lands a ride on a Guild ship. Helmed by an AI, with a ship’s engineer/medic who doesn’t see much of a difference between the two jobs, and a “don’t make me shoot you” XO, the Guild crew of the Ambit is a little . . . different. They’re also in over their heads. Responding to a distress call from an abandoned planet, they find a mass grave, and a live programmer who knows how it happened. The Trust has plans. This isn’t the first dead planet, and it’s not going to be the last. Unless the crew of the Ambit can stop it.

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Excerpt Reveal: Projections by S. E. Porter

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opens in a new windowprojections by s.e. porter

S.E. Porter, critically-acclaimed YA author of Vassa in the Night, bursts onto the adult fantasy scene with her adult novel that is sure to appeal to fans of Jeff VanderMeer and China Miéville.

Love may last a lifetime, but in this dark historical fantasy, the bitterness of rejection endures for centuries.

As a young woman seeks vengeance on the obsessed sorcerer who murdered her because he could not have her, her murderer sends projections of himself out into the world to seek out and seduce women who will return the love she denied—or suffer mortal consequence. A lush, gothic journey across worlds full of strange characters and even stranger magic.

Sarah Porter’s adult debut explores misogyny and the soul-corrupting power of unrequited love through an enchanted lens of violence and revenge.

Please enjoy this free excerpt of opens in a new windowProjections by S. E. Porter, on sale 2/13/24


Catherine Suspended

If only Gus Farrow had not fled so precipitously on murdering me, or indeed if he had fled to any refuge but this one, I might have found peace.

There my body lay on the riverbank, cooling like so much stale porridge, mud-smeared from my struggle. And there he stood above with his darting eyes, his mouth still befouled by proclamations of what he had called love. Had I been in any condition to speak, I might have disputed that the sentiments of my murderer deserved such a name. But I could not form words.

Please do not infer from this that death had left me voiceless. On the contrary. I knew that I was dead; I have never been disposed to avert my mind from facts, however disagreeable. With a certain stunned detachment I noted the body so lately mine: now silent, limp, and filthy, its petticoats mingling with the muck. Nonetheless I was still screaming and found I could not stop.

Gus jerked his head and clapped his hands to his ears, so I supposed I was in some manner audible, if only to him. With his movement I realized where I was.

His hands were cottony with my ghost, though I do not think that Gus perceived me wound about his fingers. For my part, I assure you I had no desire to cling to him. Ugh, how had I become so entangled? The result was that in covering his ears my scream drove through his head, and he yanked his hands away and gaped with hounded eyes.

Then he began running.

Had I not been in a state of shock, I would have guessed at once where he was going. But even then I could not have known what it would mean for me to be carried, poor shredded ectoplasm that I was, to the city of sorcerers.

To Nautilus.

If he had stayed on the green earth, then in time I might have disentangled myself and floated free, released into the sweet blue sky and sparkling river that I have always regarded as my truest home. Or I might have come loose without any effort on my part, and dissolved into serene unbeing. But Gus allowed no interval for that. Like some unholy rabbit, he reached a burrow or gap he knew in the fabric of our dear world, and down he went. There was a wild spinning-about of which I was but dimly sensible, and after some time a landing.

And then I, who had always regarded magic as the most noxious presumption, who had certainly never felt the slightest desire to see this city so imbued with it, found myself in Nautilus. I could see why Gus had grown infatuated with the place, all pearly grandiosity and unsettled forms. There was hardly a straight line to be seen anywhere, nor a surface that did not warp and scroll, as if, in their arrogance, these sorcerers had petrified the wind itself. If I had still been possessed of my body I would have been seasick simply from looking at the architecture, and even bodiless I felt a fierce distaste.

Gus had fled, of course, hoping to escape the consequences of his guilt. So far as the rope that would have awaited him under ordinary laws, he succeeded. But he was still very young then, and very foolish. I knew quite well, for he had told me that he had won his citizenship in Nautilus only a week before; he was nearly as much a stranger there as I was.

So it seems likely that he was as astonished as I by what followed.

My scream, which had been a thin and nagging wisp of sound before, grew markedly louder; so much so that the extravagant denizens of the city began to look at him askance as they passed. He glowered back at them, lifting his chin. But I could feel how he quaked at the prospect of being challenged by those with strength and experience far beyond his own. His heartbeat quickened, too, at the realization that in Nautilus my scream was not reserved exclusively for his ears. I suppose he had regarded it a mere figment brought on by his guilt, likely to fade once he composed himself.

And then there was the matter of my spirit. On being yanked so rudely from my person it had unspooled like a ball of yarn batted about by cats. In such disorder had my unsuspecting killer carried me to Nautilus.

The atmosphere of Nautilus is not at all the fresh and wind-scoured air of my home. Instead it is a positive miasma of enchantment, as unwholesome as the breath of a fetid marsh. And its effects, as I then discovered, are hardly predictable.

My spirit battened on that uncanny wind, or perhaps there was a sort of reaction analogous to those of chemistry. Again, this was through no desire of mine, or indeed of Gus’s. Neither of us could have foreseen the dreadful consequences of his actions. Only a few hours previous, my intentions for the day had been to inform Gus of my engagement, then set to the week’s baking and study my Thucydides while the dough was rising. Writhing up as a wraith, pulsing endlessly back and forth across death’s threshold, had not been among my plans.

But so it was, and so I was. A sinuous female figure, recognizably my own, spun up from Gus’s hands as he flung them protectively before his face. My lower extremities caught on the back of his spine, and there they stayed, so that I flapped above his head. I could see my own hands, sleeves, billowing skirts, all winking frantically between a white-limned darkness and a black-shot pallor. Gus shrieked in wild dread, and I myself was put out by the development. My father’s church and the Spiritualists seemed to be equally misinformed on the question of what life after death was like.

If I am honest, I was as much offended by my scream as Gus seemed to be; it felt too much like an admission of hurt, of vulnerability. I would have liked to insist that nothing he did, nothing, not even my murder, had the power to distress me, but my scream said otherwise. If such feelings sound absurd in retrospect, nonetheless they were mine.

Gus twisted his head so that we faced each other, or nearly so, our confrontation torqued and oblique. We stood in a shimmering alley, pressed between two curvilinear walls as finely fluted as a river skirting boulders. I had known that morning that any future meetings I might have with Gus would be awkward, but this was rather worse than expected. How had I ever regarded that pointed sallow face, those pale green furtive eyes, with affection?

Gus’s scream and mine hung entwined for a moment, but then his voice ceased with a gasp. He leaned back on the wall, one foot propped on its alabaster froth, and crossed his arms over his chest—a very impudent pose, I thought, given the enormity of his guilt. I did not slide into the wall, as popular tales had taught me to expect. Instead the wall’s curve pushed me over his head, so that I draped willow-like into his view.

“Catherine,” Gus said at last. “Do you see it now? Do you see the mistake you made, in failing to love me? Why else have we been granted this reprieve, unless to give you another chance?”

All sorts of furious rejoinders occurred to me, but I was sadly unable to pronounce any of them. As I have noted already, I could not stop screaming. Looking about me, it seemed that this city was built in its entirety of change, of volatility, trapped in awful stasis, and so it seemed to be with me. I remained seized by my dying scream, unable to resolve into silence. I hung flickering on the brink. Nautilus preserved my death but would not let me die.

Abhorrent city.

Gus had the small sense to take my scream as a refusal, for he nodded curtly.

“You say that now, Catherine. You say that now. But I am no longer that frail and gentle boy begging for your notice. I have come into my power, as you see. And my quest for power—it was always for you. It is still for you. This great love of mine, which endures beyond death itself—what else is my power for, but to bring love to its full flowering?”

His love endured beyond my death, he meant. Ah, but would it endure beyond his own? I wished to propose that we make a trial of it, then and there. My scream again proved a great humiliation, for it blocked my throat of all else. As if I were a wordless thing, empty and bellowing, and not still and acutely myself—

Gus, meanwhile, considered my apparition. I billowed like a flag some feet above him, my colors flashing from dove to crow, and would have given anything to sit sensibly by the hearth and resume my reading. He worked up his courage and passed his hand through me. I made the disappointing discovery that I could not corrode his flesh with the acid of my anger. He was unharmed.

It did occur to me, though hazily, to wonder why I interacted differently with his matter than that of the walls. I learned in time.

“But what are you, after all?” Gus mused.

Was it not obvious?

“What is it I love? I suppose you were attractive enough, but my love is plainly not conditional on your person.”

Since my person lay dead, he meant. I thought of how Old Darius had mocked me as the object. There is nothing as utterly object as a corpse, its materiality distilled by the subject’s deletion. Gus, in short, had found me not object enough, and had amended that deficiency.

“No: Catherine is an essence.” Gus had begun to pace the alley, head bent and hands laced at the small of his back. My reluctant ghost dragged along with him, a black and pale flame that gusted and bobbed. “And the nature of that essence is that Catherine can and must love me! There are other qualities, of course: a refusal to accept the world’s terms, a certain brisk clarity. But the love, the love is definitive. If Catherine did not love me, it was only that she failed to be her truest self. No wonder I found it necessary to set aside—that particular framing of Catherine, then.”

Set aside? It took me a moment to understand. His theft of my life, my future, the quiet tenderness of Thomas’s arms, that was a setting aside? All at once my scream felt less like confession, more like intention.

“And if that essence did not inhere in her living body, does it not follow that I can find it elsewhere? If this Catherine failed, might not another succeed? Can her fault be redeemed, but in a different form?”

I could hardly parse the implications of this speech. What, did he mean to hunt down girls of what he considered my model and extract love from one of them, and as redemption? Did he think he could slake his pride with someone elected as my substitute? The idea was so ridiculous that I rocked in disbelief. It was no wonder that I had accepted Thomas Skelley in preference to Gus; Thomas surely considered me an end in myself.

He twisted again and looked at me. He looked at me, and I, who could not speak, looked back. People speak of the language of the eyes. Well, their vocabulary is cruelly limited.

But hatred my eyes could convey, quite clearly. Gus recoiled, which only pitched me toward him. He let out a gratifying shriek.

Then he recovered himself.

“I can do it again,” he said, with a certain flat viciousness. “Catherine, I’m warning you.”

What, kill me? I could not burst into bitter laughter at what struck me as a difficult undertaking. Then, oh, then I understood.

“If I can find you again in others, if I can grant you anew the opportunity to correct your fault—then I can also kill you again if you disappoint me. Do you understand? I can still be merciful. But that mercy must be earned.”

On hearing these words, on understanding that my personal murder was not enough to satisfy him, rage buzzed through me. It swarmed like a cloud of insects dense enough to blacken the skies. I was not literally blinded or deafened by my feelings, but I might as well have been, for I forgot everything that my private darkness did not encompass. I forgot Gus’s voice, even while he prattled on, forgot the shining architecture, forgot even to pine for the pulse and twinkle of a flock of sparrows bursting from the grass. I felt myself transformed into an explosion of black heat that swept all else away.

For some timeless time, I hovered in the nearest approximation to a swoon that a ghost can attain. But as you may have gathered, that state of unconsciousness wasn’t nearly as permanent as certain other states I might mention.

My story emerges now from death. It comes in search of its own ending, hated reader.

And it comes in search of you.

Copyright © 2024 from S. E. Porter

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The Art of Projections by S. E. Porter

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opens in a new windowprojections by porter

S. E. Porter is an artist and author, often together. Today, she’s here with us to talk some about her upcoming novel Projections, and to share artwork tied to pivotal moments from the story. These pieces are currently on display at the Delight Factory in Brooklyn until November 18 as part of her opens in a new windowart show.

Check it out!


by S. E. Porter

There’s an odd problem that can arise while writing a book, or soon after finishing it. Sometimes the story and the images blazing through it refuse to be contained by the pages. Instead characters or scenes keep floating up like ghosts. They shapeshift, but remain recognizable. It’s like a dream that won’t dissipate with waking, but plays on as a transparent veil across the ordinary world.

The images from Projections stayed with me, twisting and reforming, long after I’d handed in my final draft. My story about the ghost of a murdered girl stuck to her killer, and implacably seeking revenge against him over the course of centuries, pulled the neat trick of haunting its author. My long, strange historical fantasy novel apparently wasn’t enough to satisfy the ghost of Catherine Bildstein. She wanted more from me.

Eventually I tried another strategy for placating her ghost, and began putting some of the book’s imagery into mixed-media artwork. And if it hasn’t been quite enough to send Catherine and her worlds to sleep, it’s at least calmed them down.

━━ ˖°˖ ☾☆☽ ˖°˖ ━━━━━━━

Séance

opens in a new windowsignificance is expounded

Catherine is a young girl in the middle of 19th century western New York: the center of its era’s radical movements, especially Spiritualism. It’s hard to grasp now just how revolutionary Spiritualism was; its passionate history has vanished behind a century of portrayals of the Spiritualists as a pack of vicious frauds, preying on grieving parents. There was certainly plenty of grief to exploit: roughly half the children born then died before their fifth birthdays.

Calvinism had blithely condemned those dead children to hell. Spiritualism came along and upended that idea, creating a cosmology where the kids were just fine. There were frauds involved, especially as the 19th century wore on, but there was also a gigantic fuck you to a cruel and pervasive dogma.

There’s a scene in Projections where Catherine attends a séance, and I did quite a bit of research into what séances were like. The girl in this picture, with her head thronged by ghosts and her hands spread on the séance table, is almost Catherine—Catherine a moment before a strange voice spills over her lips and calls itself by a dead girl’s name.

━━ ˖°˖ ☾☆☽ ˖°˖ ━━━━━━━

The Empty Room

opens in a new windowsignificance is expounded upon by the author in the text beneath

The popular image of the 19th century as a prim and placid era is wildly mistaken. There was tremendous ferment, as movements for abolition, women’s rights, and new religions sent the old certainties reeling. Where before the spirits of the dead were believed to stay safely in heaven or hell, Spiritualism proposed a haunted world, one whose ghosts were as close and intimate as skin.

My Catherine ultimately rejects both Spiritualism and her father’s Christianity. But like everyone in her era, she confronts this newly haunted world. Like the young Victorian woman in this image, entering a room and finding all the furniture hovering in midair, Catherine faces the intrusion of uncanny forces—long before she becomes a ghost herself.

━━ ˖°˖ ☾☆☽ ˖°˖ ━━━━━━━

Suture

opens in a new windowa piece of significance is expounded upon by the author in the text beneath

After her childhood-friend-turned-stalker, Gus, murders Catherine, her ghost loses the ability to speak. Her voice is consumed by an unending scream—but her mind remains intact, even while everyone around her regards her as a senseless ghoul. Gus objectifies her to the point of exploiting her ghost as a kind of magical battery.

The young Victorian woman in this image is another stand-in for Catherine. Her eyes lowered, her body diagrammed like a cow in a butcher’s shop, but with memories of her childhood bleeding through, she, like Catherine, is seeking agency against all odds.

━━ ˖°˖ ☾☆☽ ˖°˖ ━━━━━━━

Niagara

opens in a new windowa piece of avant-garde art porter significance is expounded upon by the author in the text beneath

Shortly before her murder, Catherine travels with two Spiritualist friends to see the Great Blondin cross Niagara Falls on his tightrope. Blondin, balanced in this image above a cataract of faces, was a sensational daredevil who crossed Niagara repeatedly. Unlike modern funambulists, he used no net or line, and any slip would have been fatal.

Catherine, Thomas, and Reverend Skelley go to see Blondin’s first performance, when he sat down on his rope at the midpoint, hauled up a bottle of wine from the boat Maid of the Mist, and toasted the crowd. In his subsequent crossings, Blondin increased the difficulty of the feat in increasingly bizarre ways such as pushing a wheelbarrow, or carrying his terrified manager on his back. He was so surefooted that the crowd eventually grew bored and diminished, even as he kept adding to the spectacle.

This image of him, though, is taken from his first triumphant crossing. Catherine is watching in the crowd, never suspecting that she has only days left to live.


S. E. Porter is the author of Projections, forthcoming from Tor 2/13/24. The images in this piece were taken from her show Séance, on display at the Delight Factory in Brooklyn through 11/18/23 More works from the show can be viewed opens in a new windowhere.


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