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Fantasy Firsts Sweepstakes

It’s November, which means we are entering the last month of our  opens in a new windowFantasy Firsts program. We wanted to say thank you with a special sweepstakes, featuring ALL the titles we highlighted this past year. That’s 40 fantastic reads from 40 different series to add to your TBR stack! Plus, we’re including an added bonus: two sandblasted book dragon mugs, so you can enjoy your coffee or tea in style while you read.

Sign up for a chance to win:

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OFFICIAL RULES

Fantasy Firsts Sweepstakes

NO PURCHASE OR PAYMENT OF ANY KIND IS NECESSARY TO ENTER OR WIN THIS SWEEPSTAKES. OPEN ONLY TO LEGAL RESIDENTS OF THE 50 UNITED STATES, D.C. AND CANADA (EXCLUDING QUEBEC) WHO ARE 13 YEARS OF AGE OR OLDER AT THE TIME OF ENTRY. U.S. LAW GOVERNS THIS SWEEPSTAKES. VOID WHERE PROHIBITED.

  1. ELIGIBILITY: The Fantasy Firsts Sweepstakes (the “Sweepstakes“) is open only to persons who as of the date of entry (and, if a winner, as of the date of prize fulfillment) are a legal resident of the 50 United States, District of Columbia or Canada (excluding Quebec) and who are 13 years of age or older. We are sorry for the geographic restrictions, unfortunately it is required for various legal reasons. Persons who as of the date of entry (and, if a winner, as of the date of prize fulfillment) are an employee of Tom Doherty Associates (“Sponsor“) or any of Sponsor’s Affiliates (as defined in Section 5), and members of the immediate family or household (whether or not related) of any such employee, are not eligible. Eligibility determinations will be made by Sponsor in its discretion and will be final and binding. U.S. law governs this Sweepstakes. Void in Quebec and where prohibited by law.
  1. HOW TO ENTER: The entry period for the Sweepstakes begins at 9:00 a.m. Eastern Time (ET) on Wednesday, November 1, 2017 and continues through 11:59 p.m. ET on Sunday, November 19, 2017 (the “Entry Period“). No purchase is necessary. Any entrant who is under 18 years of age or otherwise under the legal age of majority in the jurisdiction in which the entrant resides (a “Minor“) must obtain permission to enter from his or her parent or legal guardian, and the agreement of the parent or legal guardian to these Official Rules, prior to entry. To enter the Sweepstakes, during the Entry Period, entrants must access, complete and submit the Sweepstakes entry form (which will require entrant to submit his or her e-mail address and such other information as Sponsor may require), found in entrant’s Facebook newsfeed or alternatively by visiting Sponsor’s website located at https://www.torforgeblog.com/2017/11/01/fantasy-firsts-sweepstakes-15/ (the “Website”) and following the on screen entry instructions. The Facebook entry form may be pre-filled with information provided by the Facebook platform. There is a limit of one entry per person and per email address. All entries must be completed and received by Sponsor prior to the conclusion of the Entry Period. Entry times will be determined using Sponsor’s computer, which will be the official clock for the Sweepstakes. Normal time rates, if any, charged by the entrant’s Internet or mobile service provider will apply. All entries are subject to verification at any time. Proof of submission does not constitute proof of entry. Sponsor will have the right, in its discretion, to require proof of identity and/or eligibility in a form acceptable to Sponsor (including, without limitation, government-issued photo identification). Failure to provide such proof to the satisfaction of Sponsor in a timely manner may result in disqualification.
  1. WINNER SELECTION AND NOTIFICATION: Following the conclusion of the Entry Period, one (1) potential Grand Prize winner(s) will be selected in a random drawing conducted by Sponsor or its agent from among all eligible entries received during the Entry Period. The odds of winning will depend on the number of eligible entries received. The potential winner will be notified by e-mail (sent to the e-mail address provided by the entrant when entering), or using other contact information provided by the potential winner, in Sponsor’s discretion. If the initial notification requires a response, the potential winner must respond to Sponsor’s initial notification attempt within 72 hours. The potential winner is subject to verification of eligibility and may, in Sponsor’s discretion, be required to complete, sign and return to Sponsor an Affidavit of Eligibility/Release of Liability or an Affirmation of Eligibility/Release of Liability, as determined by Sponsor, and, if legally permissible, a Publicity Release, collectively, a “Declaration and Release” for residents of Canada) and any other documentation provided by Sponsor in connection with verification of the potential winner’s eligibility and confirmation of the releases and grant of rights set forth herein (as applicable, “Winner Verification Documents“), within seven days of attempted delivery of same. The potential winner if a U.S. resident may also in Sponsor’s discretion be required to complete and return to Sponsor an IRS Form W-9 within seven days of attempted delivery of same. If the potential winner is a Minor, Sponsor will have the right to request that the potential winner’s parent or legal guardian sign the Winner Verification Documents on behalf of the winner, or to award the prize directly in the name of the winner’s parent or legal guardian, who in such event will be required to sign the Winner Verification Documents and/or, if a U.S. resident, an IRS Form W-9. If the potential winner is a Canadian resident, he or she will be required to correctly answer a mathematical skill testing question without mechanical or other aid to be administered via telephone, email or another manner determined by Sponsor in its discretion at a pre-arranged mutually convenient time. If the potential winner cannot be reached or does not respond within 72 hours of the initial notification attempt or fails to complete, sign, and return any required Winner Verification Documents or, if a U.S. resident, IRS Form W-9 within seven days of attempted delivery of same, or in the case of a Canadian selected entrant, fails to correctly answer the mathematical skill testing question without mechanical or other aid, or if the potential winner does not otherwise comply with these Official Rules and/or cannot accept the prize as awarded for any reason, “then the potential winner may be disqualified and an alternate winner may, at Sponsor’s discretion, be selected from among the remaining eligible entries as specified in these Official Rules (in which case the foregoing provisions will apply to such newly-selected entrant).
  1. PRIZE: One (1) Grand Prize(s) will be offered. The Grand Prize consists of one (1) hardcover copy of THE GUNS ABOVE by Robyn Bennis, one (1) trade paperback copy of RED RIGHT HAND by Levi Black, one (1) hardcover copy of ROAR by Cora Carmack, one (1) hardcover copy of THE ALCHEMY OF MASQUES AND MIRRORS by Curtis Craddock, one (1) hardcover copy of CHILD OF A HIDDEN SEA by A.M. Dellamonica, one (1) trade paperback copy of TRUTHWITCH by Susan Dennard, one (1) hardcover copy of CROSSROADS OF CANOPY by Thoraiya Dyer, one (1) hardcover copy of DEATH’S MISTRESS by Terry Goodkind, one (1) hardcover copy of STEEPLEJACK by A.J. Hartley, one (1) hardcover copy of DEADMEN WALKING by Sherrilyn Kenyon, one (1) hardcover copy of EVERY HEART A DOORWAY by Seanan McGuire, one (1) trade paperback copy of THE HUM AND THE SHIVER by Alex Bledsoe, one (1) trade paperback copy of RANGE OF GHOSTS by Elizabeth Bear, one (1) trade paperback copy of A NATURAL HISTORY OF DRAGONS by Marie Brennan, one (1) trade paperback copy of SERIOUSLY WICKED by Tina Connolly, one (1) trade paperback copy of THE LIBRARIANS AND THE LOST LAMP by Greg Cox, one (1) trade paperback copy of DANCER’S LAMENT by Ian C. Esslemont, one (1) trade paperback copy of FORGE OF DARKNESS by Steven Erikson, one (1) trade paperback copy of FINN FANCY NECROMANCY by Randy Henderson, one (1) trade paperback copy of ROYAL STREET by Suzanne Johnson, one (1) trade paperback copy of THE EYE OF THE WORLD by Robert Jordon, one (1) trade paperback copy of THE SHARDS OF HEAVEN by Michael Livingston, one (1) trade paperback copy of THE MAGIC OF RECLUCE by L.E. Modesitt, Jr., one (1) trade paperback copy of RIDERS by Veronica Rossi, one (1) trade paperback copy of THE WAY OF KINGS by Brandon Sanderson, one (1) trade paperback copy of A DARKER SHADE OF MAGIC by V.E. Schwab, one (1) trade paperback copy of THE EMPEROR’S BLADES by Brian Staveley, one (1) trade paperback copy of UPDRAFT by Fran Wilde, one (1) ARC of THE MIDNIGHT FRONT by David Mack, one (1) mass market paperback copy of THE SIX-GUN TAROT by R.S. Belcher, one (1) mass market paperback copy of THE DINOSAUR LORDS by Victor Milan, one (1) mass market paperback copy of THE SLEEPING KING by Cindy Dees and Bill Flippin, one (1) mass market paperback copy of TOUCHSTONE by Melanie Rawn, one (1) mass market paperback copy by THE INCREMENTALISTS by Steven Brust and Skyler White, one (1) mass market paperback copy of CROWN OF VENGEANCE by Mercedes Lackey and James Mallory, one (1) mass market paperback copy of IMAGER by L.E. Modesitt, Jr., one (1) mass market paperback copy of LAMENTATION by Ken Scholes, one (1) mass market paperback copy of THE ETERNA FILES by Leanna Renee Heiber, one (1) mass market paperback copy of KUSHIEL’S DART by Jacqueline Carey, and one (1) mass market paperback copy of AMERICAN CRAFTSMEN by Tom Doyle, and one (1) set of two Book dragon mugs. The approximate retail value (“ARV“) of the Grand Prize is $551.56 USD. All prize details that are not expressly specified in these Official Rules will be determined by Sponsor in its discretion. The prize will be awarded if properly claimed. No substitution, cash redemption or transfer of the right to receive the prize is permitted, except in the discretion of Sponsor, which has the right to substitute the prize or any component of the prize with a prize or prize component of equal or greater value selected by Sponsor in its discretion. The prize consists only of the item(s) expressly specified in these Official Rules. All expenses or costs associated with the acceptance or use of the prize or any component of the prize are the responsibility of the winner. The prize is awarded “as is” and without any warranty, except as required by law. In no event will more than the number of prizes stated in these Official Rules be awarded. All federal, state and local taxes on the value of the prize are the responsibility of the winner. For U.S. residents, an IRS form 1099 will be issued if required by law.
  1. RELEASE AND LIMITATION OF LIABILITY: By entering the Sweepstakes, to the fullest extent permitted by applicable law, each entrant on behalf of himself or herself and anyone who succeeds to entrant’s rights and responsibilities including without limitation entrant’s heirs, executors, administrators, personal representatives, successors, assigns, agents, and attorneys, and with respect to minors entrant’s parents and legal guardians (collectively the “Entrant Parties“) releases Sponsor, each of Sponsor’s Affiliates, the licensees and licensors other than Entrant Parties including authors of each of the foregoing, all other companies involved in the development or operation of the Sweepstakes, Facebook, the successors and assigns of each of the foregoing and the directors, officers, employees and agents of each of the foregoing (collectively, the “Released Parties“) from and against any and all claims and causes of action of any kind that entrant and/or the Entrant Parties ever had, now have or might in the future have arising out of or relating to the Sweepstakes, participation in the Sweepstakes, the use of the Website, the provision, acceptance or use of any prize or any component thereof or any use of the entrant’s name as permitted pursuant to these Official Rules, including without limitation any and all claims and causes of action: (a) relating to any personal injury, death or property damage or loss sustained by any entrant or any other person, (b) based upon any allegation of violation of the right of privacy or publicity, misappropriation, defamation, or violation of any other personal or proprietary right, (c) based upon any allegation of infringement of copyright, trademark, trade dress, patent, trade secrets, moral rights or any intellectual property right, or (d) or based upon any allegation of a violation of the laws, rules or regulations relating to personal information and data security. Each entrant on behalf of himself or herself and the Entrant Parties agrees not to assert any such claim or cause of action against any of the Released Parties. Each entrant on behalf of himself or herself and the Entrant Parties assumes the risk of, and all liability for, any injury, loss or damage caused, or claimed to be caused, by participation in this Sweepstakes, the use of the Website, or the provision, acceptance or use of any prize or any component of any prize. The Released Parties are not responsible for, and will not have any liability in connection with, any typographical or other error in the printing of the offer, administration of the Sweepstakes or in the announcement of the prize. The Released Parties are not responsible for, and will not have any liability in connection with, late, lost, delayed, illegible, damaged, corrupted or incomplete entries, incorrect or inaccurate capture of, damage to, or loss of entries or entry information, or any other human, mechanical or technical error of any kind relating to the operation of the Website, communications or attempted communications with any entrant or Entrant Parties, the submission, collection, storage and/or processing of entries or the administration of the Sweepstakes. The term “Affiliate” of Sponsor means any entity that directly or indirectly, through one or more intermediaries, controls, is controlled by, or is under common control with Sponsor. The term “control” means the possession, directly or indirectly, of the power to direct or cause the direction of management and policies of an entity, or the ownership, directly or indirectly, of more than fifty percent (50%) of the equity interests of the entity.
  1. GENERAL RULES: Sponsor has the right, in its sole discretion, to modify these Official Rules (including without limitation by adjusting any of the dates and/or timeframes stipulated in these Official Rules) and to cancel, modify or suspend this Sweepstakes at any time in its discretion, including without limitation if a virus, bug, technical problem, entrant fraud or misconduct, or other cause beyond the control of the Sponsor corrupts the administration, integrity, security or proper operation of the Sweepstakes or if for any other reason Sponsor is not able to conduct the Sweepstakes as planned (including without limitation in the event the Sweepstakes is interfered with by any fire, flood, epidemic, earthquake, explosion, labor dispute or strike, act of God or of public enemy, communications failure, riot or civil disturbance, war (declared or undeclared), terrorist threat or activity, federal, state or local law, order or regulation or court order) or in the event of any change to the terms governing the use of Facebook or the application or interpretation of such terms. In the event of termination of the Sweepstakes, a notice will be posted on the Website or Sponsor’s Facebook page and a random drawing will be conducted to award the prize from among all eligible entries received prior to the time of termination. Sponsor has the right, in its sole discretion, to disqualify or prohibit from participating in the Sweepstakes any individual who, in Sponsor’s discretion, Sponsor determines or believes (i) has tampered with the entry process or has undermined the legitimate operation of the Website or the Sweepstakes by cheating, hacking, deception or other unfair practices, (ii) has engaged in conduct that annoys, abuses, threatens or harasses any other entrant or any representative of Sponsor or (iii) has attempted or intends to attempt any of the foregoing. CAUTION: ANY ATTEMPT TO DELIBERATELY DAMAGE ANY WEBSITE OR SOCIAL MEDIA PLATFORM ASSOCIATED WITH THIS SWEEPSTAKES OR UNDERMINE THE LEGITIMATE OPERATION OF THIS SWEEPSTAKES IS A VIOLATION OF CRIMINAL AND CIVIL LAW. SHOULD SUCH AN ATTEMPT BE MADE, SPONSOR HAS THE RIGHT TO SEEK DAMAGES (INCLUDING ATTORNEYS’ FEES) FROM ANY PERSON INVOLVED TO THE FULLEST EXTENT PERMITTED BY LAW. The use of agents or automated devices, programs or methods to submit entries is prohibited and Sponsor has the right, in its sole discretion, to disqualify any entry that it believes may have been submitted using such an agent or automated device, program or method. In the event of a dispute regarding who submitted an entry, the entry will be deemed to have been submitted by the authorized account holder of the email address submitted at the time of entry. “Authorized account holder” means the person who is assigned an email address by an internet provider, online service provider or other organization (e.g., business, educational institute, etc.) that is responsible for assigning email addresses for the domain associated with the submitted email address. An entrant may be required to provide proof (in a form acceptable to Sponsor, including, without limitation, government-issued photo identification) that he or she is the authorized account holder of the email address associated with the entry in question. All federal, state, provincial, territorial and local laws and regulations apply. All entries become the property of Sponsor and will not be verified or returned. By participating in this Sweepstakes, entrants on behalf of themselves, and to the extent permitted by law on behalf of the Entrant Parties agree to be bound by these Official Rules and the decisions of Sponsor, which are final and binding in all respects. These Official Rules may not be reprinted or republished in any way without the prior written consent of Sponsor.
  1. DISPUTES: By entering the Sweepstakes, each entrant on behalf of himself or herself and the Entrant Parties agrees that, to the maximum extent permitted by applicable law, (a) any and all disputes, claims and causes of action arising out of or connected with the Sweepstakes, or the provision, acceptance and/or use of any prize or prize component, will be resolved individually, without resort to any form of class action (Note: Some jurisdictions do not allow restricting access to class actions. This provision will not apply to entrant if entrant lives in such a jurisdiction); (b) any and all claims, judgments and awards shall be limited to actual out-of-pocket costs incurred, including costs associated with entering the Sweepstakes, but in no event attorneys’ fees; and (c) under no circumstances will any entrant or Entrant Party be permitted to obtain any award for, and each entrant and Entrant Party hereby waives all rights to claim, punitive, special, incidental or consequential damages and any and all rights to have damages multiplied or otherwise increased and any other damages, other than for actual out-of-pocket expenses. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules or the rights and obligations of the entrants, Entrant Parties and Sponsor in connection with the Sweepstakes shall be governed by, and construed in accordance with, the laws of the State of New York in the United States of America without giving effect to any choice of law or conflict of law rules or provisions that would cause the application of the laws of any jurisdiction other than the State of New York. Any legal proceedings arising out of this Sweepstakes or relating to these Official Rules shall be instituted only in the federal or state courts located in New York County in the State of New York, waiving any right to trial by jury, and each entrant and Entrant Party consents to jurisdiction therein with respect to any legal proceedings or disputes of whatever nature arising under or relating to these rules or the Sweepstakes. In the event of any conflict between these Official Rules and any Sweepstakes information provided elsewhere (including but not limited in advertising or marketing materials), these Official Rules shall prevail.
  1. USE OF INFORMATION: Please review the Sponsor’s Privacy Notice at opens in a new windowhttps://us.macmillan.com/privacy-notice. By entering the sweepstakes, entrant hereby agrees to Sponsor’s collection and use of their personal information in accordance with such Notice, including the use of entrant’s personal information to send email updates about Tor Books and other information from Sponsor and its related companies.
  1. WINNER NAME AND RULES REQUESTS:For the name(s) of the winner(s), which will be available two weeks after the conclusion of the Entry Period, or a copy of these Official Rules, send a self-addressed, stamped envelope to Fantasy First Sweepstakes, Tom Doherty Associates, 175 Fifth Avenue, New York, NY 10010. Winner name requests must be received by Sponsor within six months after the conclusion of the Entry Period.
  1. Sponsor: Tom Doherty Associates, 175 Fifth Avenue, New York, NY 10010. The Sweepstakes is in no way sponsored, endorsed or administered by, or associated with, Facebook.

© 2017 Macmillan. All rights reserved.





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Tor Teen Back to School Sweepstakes

It’s August, and that means we’re in the final days of summer. It’s nearly time to head back to school, but hopefully there’s still a bit of time—time to get that last beach trip in, that last dip in the pool, or that last lazy afternoon with a book and a frosty lemonade. Whatever your ideal last days of summer consist of, we want to give you a pile of books to keep you company and to last you well into the new school year. Take a look at the titles we’re offering:

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Sign up for to receive our monthly Tor Teen newsletter to enter for your chance to win:

Birth Month:

OFFICIAL RULES

Tor Teen Back to School Sweepstakes

NO PURCHASE NECESSARY. A PURCHASE DOES NOT INCREASE YOUR CHANCE OF WINNING.

  1. To Enter: Submit your entry by fully completing the sign-up form found at https://www.torforgeblog.com/2017/08/21/tor-teen-back-to-school-sweepstakes (the “Site”). Sweepstakes begins online at 12:30 AM Eastern Time (ET) on Monday, August 21, 2017 and ends at 11:59 PM ET on Friday, August 25, 2017. Your entry will sign you up to receive emailed news related to Tor Teen as well as enter you into the sweepstakes.

Limit one entry per person or household. The entry must be fully completed; mechanically reproduced; incomplete and/or illegible entries will not be accepted. In case of dispute with respect to online entries, entries will be declared made by the authorized account holder of the e-mail address submitted at the time of entry. “Authorized account holder” is defined as the natural person who is assigned to an e-mail address by an Internet Access Provider, on-line service provider, or other organization (e.g., business, educational institution, etc.) that is responsible for assigning e-mail addresses for the domain associated with the submitted e-mail address. Entries become property of Sponsor and will not be returned. Automated entries are prohibited, and any use of such automated devices will cause disqualification. Sponsor and its advertising and promotions agencies are not responsible for lost, late, illegible, misdirected or stolen entries or transmissions, or problems of any kind whether mechanical, human or electronic.

  1. Random Drawing: A random drawing will be held from all eligible, correctly completed entries received on a timely basis, on or about Monday, August 28, 2017, by Tom Doherty Associates, LLC, whose decisions concerning all matters related to this sweepstakes are final.
  2. Notice to Winners: Winner will be notified by e-mail. Winner may be required to sign and return an affidavit of eligibility and publicity/liability release within fifteen (15) days of notification attempt or prize may be awarded to alternate winner. Return of any prize notification as undeliverable will result in disqualification and alternate winner will be selected. If a winner is a minor in his/her jurisdiction of residence, prize will be awarded to minor’s parent or legal guardian, who must follow all prize claim procedures specified herein and sign and return all required documents.
  3. Prize: One (1) Grand Prize winner(s) will receive Flying by Carrie Jones, Enhanced by Carrie Jones, The Rains by Gregg Hurwitz, Last Chance by Gregg Hurwitz, Ferocious by Paula Stokes, Vicarious by Paula Stokes, Firebrand by A.J. Hartley, Steeplejack by A.J. Hartley, Roar by Cora Carmack, Vassa in the Night by Sarah Porter, When I Cast Your Shadow by Sarah Porter, Seeker by Veronica Rossi, Riders by Veronica Rossi, The Dark Intercept by Julia Keller. Approximate Retail Value (“ARV”) of the Prize: $231.86.

    Approximate retail value of all prizes: $231.86.

  1. Odds of winning depend upon the number of eligible entries received. If any prize is won by a minor, it will be awarded in the name of minor’s parent or legal guardian. Each entrant selected as a potential winner must comply with all terms and conditions set forth in these Official Rules, and winning is contingent upon fulfilling all such requirements. Sponsor makes no warranties with regard to the prize. Prize is not transferable. No substitutions of prize allowed by winner, but Sponsor reserves the right to substitute a prize of equal or greater value. Prize is not redeemable by winner for cash value. All taxes, fees and surcharges on prize are the sole responsibility of winner.
  2. Eligibility: Only open to residents of 50 United States and the District of Columbia, age 13 and older at the time of entry. Void in Puerto Rico and where otherwise prohibited by law. Employees, and members of their families, of Sponsor, its parent, subsidiaries, and affiliates are not eligible to enter. This promotion is intended for viewing in the United States only and shall only be construed and evaluated according to United States law. You are not authorized to participate in the sweepstakes if you are not located within the United States.
  3. General: Sponsor and its representatives are not responsible for technical, hardware, software or telephone malfunctions of any kind, lost or unavailable network connections, or failed, incorrect, incomplete, inaccurate, garbled or delayed electronic communications caused by the sender, or by any of the equipment or programming associated with or utilized in this sweepstakes which may limit the ability to play or participate, or by any human error which may occur in the processing of the entries in this sweepstakes. If for any reason, (including infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other cause beyond the control of Sponsor, which corrupts or affects the administration, security, fairness, integrity, or proper conduct of this sweepstakes), the Sweepstakes is not capable of being conducted as described in these rules, Sponsor shall have the right, at its sole discretion, to cancel, terminate, modify or suspend the sweepstakes. Limit one prize per person or household. By accepting prize, the winner grants to Sponsor the right to use his/her name, likeness, hometown, biographical information, in advertising and promotion, including on the Site, without further compensation or permission, except where prohibited by law. By participating in the sweepstakes, entrant and winner release Sponsor, its parent, subsidiaries, affiliates, subsidiaries, suppliers, and agents, from any and all liability for any loss, harm, damages, cost or expense, including without limitation property damages, personal injury and/or death, arising out of participation in this sweepstakes or the acceptance, use or misuse of the prize. Sponsor may prohibit an entrant from participating in the sweepstakes or winning a prize if, in its sole discretion, it determines that said entrant is attempting to undermine the legitimate operation of the Sweepstakes by cheating, hacking, deception, or other unfair playing practices (including the use of automated quick entry programs) or intending to annoy, abuse, threaten or harass any other entrants or Sponsor representatives. All legal responsibilities of a minor under these Official Rules will be assumed by the minor’s parent/legal guardian.

CAUTION: ANY ATTEMPT BY AN ENTRANT TO DELIBERATELY DAMAGE ANY WEB SITE OR UNDERMINE THE LEGITIMATE OPERATION OF THE SWEEPSTAKES MAY BE A VIOLATION OF CRIMINAL AND CIVIL LAWS AND SHOULD SUCH AN ATTEMPT BE MADE, SPONSOR RESERVES THE RIGHT TO SEEK DAMAGES FROM ANY SUCH PERSON TO THE FULLEST EXTENT PERMITTED BY LAW.

  1. Use of Data: Sponsor will be collecting personal data about entrants who enter online, in accordance with its privacy policy. Please review the Sponsor’s privacy policy at https://us.macmillan.com/splash/policy.html. By participating in the sweepstakes, entrants hereby agree to Sponsor’s collection and usage of their personal information and acknowledge that they have read and accepted Sponsor’s privacy policy.
  2. Winner List: For winner information, available after Friday, August 25, 2017, send by Monday, August 28, 2017 a stamped, self-addressed envelope to Winner Information, Tor Teen Back to School Sweepstakes, c/o Tom Doherty Associates, LLC, 175 Fifth Avenue, New York, NY 10010.
  3. Sponsor:
    Tom Doherty Associates, LLC, 175 Fifth Avenue, New York NY 10010.



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New Releases: 6/6/17

Happy New Release Day! Here’s what went on sale today.

opens in a new windowAnd Into the Fire by Robert Gleason

opens in a new windowAnd Into the Fire by Robert Gleason After allying itself with Pakistan’s intelligence services and notorious terrorist group, the Tehrik-e-Taliban-Pakistan (TTP), ISIS is ready to achieve its ultimate dream: Forcing the US into a clash of civilizations in the Mideast. The best way to accomplish this mission is to acquire three Pakistani nukes—then set them off in three US cities.

The head of the CIA’s Pakistan desk, Elena Moreno, and an intrepid journalist, Jules Meredith, are on their trail. Unfortunately, a powerful Saudi ambassador is blackmailing a corrupt American president, and now both men will do anything to stop these two women—to the point of having them killed.

opens in a new windowFirebrand by A.J. Hartley

opens in a new windowFirebrand by A.J. Hartley Once a steeplejack, Anglet Sutonga is used to scaling the heights of Bar-Selehm. Nowadays she assists politician Josiah Willinghouse behind the scenes of Parliament. The latest threat to the city-state: Government plans for a secret weapon are stolen and feared to be sold to the rival nation of Grappoli. The investigation leads right to the doorsteps of Elitus, one of the most exclusive social clubs in the city. In order to catch the thief, Ang must pretend to be a foreign princess and infiltrate Elitus. But Ang is far from royal material, so Willinghouse enlists help from the exacting Madam Nahreem.

opens in a new windowNot So Good a Gay Man by Frank M. Robinson

opens in a new windowNot So Good a Gay Man by Frank M. Robinson Not So Good a Gay Man is the compelling memoir of author, screenwriter, and activist Frank M. Robinson. This deeply personal autobiography, addressed to a friend in the gay community, explains the life of one gay man over eight decades in America. By turns witty, charming, and poignant, this memoir grants insights into Robinson’s work not just as a journalist and writer, but as a gay man navigating the often perilous social landscape of 20th century life in the United States.

NEW IN PAPERBACK

opens in a new windowNothing Left to Lose by Dan Wells

opens in a new windowNothing Left to Lose by Dan Wells

Hi. My name is John Cleaver, and I hunt monsters. I used to do it alone, and then for a while I did it with a team of government specialists, and then the monsters found us and killed almost everyone, and now I hunt them alone again.

In this thrilling installment in the John Wayne Cleaver series, Dan Wells brings his beloved antihero into a final confrontation with the Withered in a conclusion that is both completely compelling and completely unexpected.

opens in a new windowSteeplejack by A.J. Hartley

opens in a new windowImage Place holder  of - 46 Seventeen-year-old Anglet Sutonga lives and works as a steeplejack in Bar-Selehm, a sprawling city known for its great towers, spires, and smokestacks – and even greater social disparities across race and class.

Ang’s world is turned upside-down when her new apprentice Berrit is murdered the same night that the city’s landmark jewel is stolen. Her search for answers behind his death exposes unrest in the streets and powerful enemies.

opens in a new windowTakedown: A Small-Town Cop’s Battle Against the Hells Angels and the Nation’s Biggest Drug Gang by Jeff Buck, Jon Land, and Lindsay Preston

opens in a new windowPlace holder  of - 38 Takedown is the story of heroic undercover cop Jeff Buck’s battle with Hells Angels and drug-smugglers on the American border with help from Jon Land and Lindsay Preston.

Twenty years working undercover in the netherworld of drugs had left Jeff Buck burned out and grateful to assume the quiet job of police chief in the small town of Reminderville, Ohio. That is, until a simple domestic assault case turns out to have links to the murder of a drug runner in upstate New York and a syndicate smuggling billions of dollars in drugs across the U.S.-Canada border.

NEW IN MANGA

opens in a new windowCaptive Hearts of Oz Vol. 2 Story and art by Mamenosuke Fujimaru; Story development by Ryo Maruya

opens in a new windowMy Lesbian Experience With Loneliness Story and art by Kabi Nagata

opens in a new windowPlease Tell Me! Galko-chan Vol. 3 Story and art by Kenya Suzuki

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Writing POC While White

steeplejackWelcome back to opens in a new windowFantasy Firsts. Today we’re featuring a post by A.J. Hartley, author of Steeplejackon the thorny issue of how white people can write characters of color with respect. Watch for Steeplejack’s sequel Firebrandcoming June 6th.

Written by opens in a new windowA. J. Hartley

My most recent novel, Steeplejack, is a vaguely steampunky fantasy adventure that centers on Anglet Sutonga, a woman of color. She lives in the city of Bar-Selehm, a place which does not actually exist and never has. The city looks a bit like South Africa but looks more like Victorian London than South Africa ever did, and its political system looks more like apartheid than like the early years of colonialism.

What this means, of course, is that I’m inventing the world and its people, drawing on current issues as much as I am those of the past, and mixing those with known histories. I am not a person of color (POC), and my writing one may raise issues that can be encapsulated by what I call “the Jurassic Park conundrum”: “Your scientists were so preoccupied with whether or not they could, that they didn’t stop to think if they should,” or more simply as, “Why?”

There are several really good reasons why white guys shouldn’t write POC characters. First, they often do it badly, and by badly I don’t just mean incompetently, clumsily, or unconvincingly, but offensively. Too often writers play upon stereotypes and white notions of what it means to be a POC (please God, fellow white people, stop writing your Stepin Fetchit version of Ebonics in the name of authenticity). Conversely, and almost as problematic to my mind, many writers assume that race/ethnicity is irrelevant, so characters can be written as white and then (like the awful colorizing of old movies) given a superficial tint.

Race is a real and meaningful part of who we are, so writing a racially-neutral character and then giving them dark skin or an “ethnic-sounding” name doesn’t allow that character to reflect upon the social realities that shaped their sense of self, particularly how they have been treated by the greater, imperfect world.

These two extremes in how race is treated create a real dilemma for writers who may have the best motives in the world, but motives get you only so far; the success of any writing depends on how it is received by its audience, not by the intentions of the author. So how do you allow race to be a formative part of a character, without reducing that character to a kind of cipher for their demographic in ways that deny the essential and complex personhood of the individual? That’s the challenge for me: not hiding from race but also not allowing it—particularly my white man’s assumptions about what it is—to entirely define the character.

As a writer, I have a great deal of interest in the friction that occurs when some aspect of a person—whether it’s race, gender, profession, interests, tastes, personality, or whatever—is at odds with what might be assumed about them. That’s a rich vein for a fiction writer, especially one like me who has always felt a little between categories, never quite fitting in. But as a white man I understand that there are realms of experience which I do not have, and other experiences which I am socially-coded to ignore or demean. At least, I know it with my head, but not always in my gut. As a literary academic (I’m a Shakespeare professor) as well as a novelist, I’ve spent a lot of time thinking about the intersection of books and social issues. My home life has allowed me to see those issues in less abstract terms (my wife and son are POC). So while I believe I can understand a little how it feels to be an “outsider,” my gender and race have been, broadly-speaking, assets.

In Japan, for instance, where I lived for a couple of years a quarter century or so ago, I often felt excluded and there were occasional instances (generally involving older people) when I definitely felt the shadow of World War II, but I never felt looked down upon for my race in ways some non-Japanese Asians in the same community did. I have lived in Boston, in Atlanta, and now in Charlotte. In all these places, my Britishness has often triggered a certain “You’re not from round here” wariness or skepticism, but never contempt.

Other people usually assume I’m more sophisticated because of my upbringing (something my Lancashire, working-class school friends would have found hilarious). I’m constantly told that British people all sound smart to Americans, and while that remains baffling to me, I know I benefit from it. While I know what it’s like not to fit in, I’m not constantly judged or demeaned based solely on what people think when they see me. The legacies of colonialism, sexism, and racism are, to this day, power in various forms. Recognizing this has, I think, helped my writing.

My impulse to write characters of color is political and stems from the belief that writers have an obligation to reflect the world they live in. People approach that challenge in a variety of ways, but I feel compelled to try in a small way to redress the historical bias which has taken white (and frequently male, and almost always straight) as the default position. I don’t claim to be an expert, but I am committed to giving diverse characters my very best shot, while simultaneously supporting marginalized writers in the telling of their own stories.

People ask whether I did a lot of research into the lives of people of color before writing this book, and the short answer is: “Consciously? Not much.” As a white man, I don’t want to speak over my wife (who is East Asian) and son’s voices, but I can tell you how my family’s experiences of racism have impacted my writing as well.

Once, while at the grocery store with my mixed-race son, a lady approached me and very politely asked which adoption agency I’d used because she was looking to do the same. As part of an interracial couple I’m alert to these issues and see first-hand that people treat me differently than they do my wife. Some instances, known as microaggressions, are when people talk about the “little stuff”: questions about where she’s “really” from (Chicago), or the pleased relief that she speaks English. Some are more hurtful, as when someone dismissed her Harvard degree on the grounds that “They have quotas for people like you.”

When we first got together I had some very difficult conversations with some well-meaning people who, while professing not to be in any way racist, said, “It’s just the children I worry about.” I hear the fake Chinese some of the local kids start doing when they see us walking the dog in our very white neighborhood, and I’m now talking to my son about how he identifies himself racially in preparation for checking boxes in college applications. Compared to the reality of my wife’s grandfather’s World War II internment (and subsequent loss of all his property), these may seem like minor concerns, but my point is that we’re aware of race all the time. We talk about it all the time.

Life is the apprenticeship you need to be a writer. We all recognize the importance of writing what we know and—particularly in speculative fiction—expanding that sense of knowledge so that we don’t limit ourselves to the prosaically mundane. But what we know is often less about study and research and more about what we have absorbed through daily interactions. I am not a person of color, but the people dearest to me are, and I am made observant and reflective of their lot by love.

Portraying disempowered Otherness on the page is still possible even if you don’t know it (in your gut) as lived experience. You can research it. You can talk to other people about it. Hell, you can see it in the news every day. But writing a POC character when you aren’t one yourself is not the same as writing a profession you know nothing about—plumbing, say—which you can fake your way through by watching a few How To videos on YouTube. In the end, all you can do is try to do it with sensitivity and respect, but—and this is more important—be ready to listen to those better qualified to assess what you’ve done when they tell you you’ve got it wrong. Again, meaning well isn’t enough, and the road to hell really is paved with good intentions.

To return to the Jurassic Park conundrum, however, it’s fair to ask whether the attempt is worth the effort. Indeed, some say that white people writing POC characters or books is itself a form of appropriation, which means there is less room on the shelves for writers of color telling their own stories (there’s opens in a new windowa good articulation of this perspective here). But I also think that writing about race (and all the other “isms”) is important because all people have a stake in these conversations, and we need to find ways to discuss such things which break down that sense of our culture as fundamentally siloed, divided, and fractious.

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(This is a rerun of a post that originally ran on June 6th, 2016.)

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Fantasy Firsts Sweepstakes

Welcome back to  opens in a new windowFantasy Firsts. Today we’re offering the chance to win these fantastic titles on Goodreads! For details on how to enter, please click on the cover image of the book you are interested in.

opens in a new windowEvery Heart a Doorway by Seanan McGuire

opens in a new windowChildren have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else.

But magical lands have little need for used-up miracle children.

opens in a new windowThe Librarians and The Lost Lamp by Greg Cox

opens in a new windowTen years ago, only Flynn Carsen, the last of the Librarians, stood against an ancient criminal organization known as The Forty. They stole the oldest known copy of The Arabian Nights by Scheherazade, and Flynn fears they intend to steal Aladdin’s fabled lamp. He races to find it first before they can unleash the trapped, malevolent djinn upon the world.

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opens in a new windowAurora Pavan comes from one of the oldest Stormling families in existence. Long ago, the ungifted pledged fealty and service to her family in exchange for safe haven, and a kingdom was carved out from the wildlands and sustained by magic capable of repelling the world’s deadliest foes. As the sole heir of Pavan, Aurora’s been groomed to be the perfect queen. She’s intelligent and brave and honorable. But she’s yet to show any trace of the magic she’ll need to protect her people.

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opens in a new windowNevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town that hides more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; some say he is a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. A banker’s wife belongs to a secret order of assassins. And a shady saloon owner, whose fingers are in everyone’s business, may know more about the town’s true origins than he’s letting on.

opens in a new windowSteeplejack by A.J. Hartley

opens in a new windowSeventeen-year-old Anglet Sutonga lives and works as a steeplejack in Bar-Selehm, a sprawling city known for its great towers, spires, and smokestacks – and even greater social disparities across race and class. Ang’s world is turned upside-down when her new apprentice Berrit is murdered the same night that the city’s landmark jewel is stolen. Her search for answers behind his death exposes unrest in the streets and powerful enemies.

opens in a new windowTruthwitch by Susan Dennard

opens in a new windowTruthwitch by Susan DennardOn a continent ruled by three empires, everyone is born with a “witchery,” a magical skill that sets them apart from others. Now, as the Twenty Year Truce in a centuries long war is about to end, the balance of power-and the failing health of all magic-will fall on the shoulders of a mythical pair called the Cahr Awen.

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opens in a new windowThe Way of Kings by Brandon SandersonIn The Way of Kings, #1 New York Times bestselling author Brandon Sanderson introduces readers to the fascinating world of Roshar, a world of stone and storms.

It has been centuries since the fall of the Knights Radiant, but their mystical swords and armor remain, transforming ordinary men into near-invincible warriors. Men trade kingdoms for them. Wars are fought for them and won by them.

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Steeplejack: Chapters 1-3

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opens in a new windowPoster Placeholder of - 23Welcome back to  opens in a new windowFantasy Firsts. Our program continues today with an extended excerpt from  opens in a new windowSteeplejack, the first in A.J. Harvey’s fantasy series inspired by 19th century South Africa. Keep an eye out for  opens in a new windowFirebrand, the sequel coming June 6th.

Seventeen-year-old Anglet Sutonga lives repairing the chimneys, towers, and spires of the city of Bar-Selehm. Dramatically different communities live and work alongside each other. The white Feldish command the nation’s higher echelons of society. The native Mahweni are divided between city life and the savannah. And then there’s Ang, part of the Lani community who immigrated over generations ago as servants and now mostly live in poverty on Bar-Selehm’s edges.

When Ang is supposed to meet her new apprentice Berrit, she finds him dead. That same night, the Beacon, an invaluable historical icon, is stolen. The Beacon’s theft commands the headlines, yet no one seems to care about Berrit’s murder—except for Josiah Willinghouse, an enigmatic young politician. When he offers her a job investigating his death, she plunges headlong into new and unexpected dangers.

Meanwhile, crowds gather in protests over the city’s mounting troubles. Rumors surrounding the Beacon’s theft grow. More suspicious deaths occur. With no one to help Ang except Josiah’s haughty younger sister, a savvy newspaper girl, and a kindhearted herder, Ang must rely on her intellect and strength to resolve the mysterious link between Berrit and the missing Beacon before the city descends into chaos.

CHAPTER 1

The last person up here never made it down alive, but there was no point thinking about that. Instead, I did what I always did—focused on the work, on the exact effort of muscle, the precise positioning of bone and boot that made it all possible. Right now, that meant pushing hard with my feet against the vertical surface of one wall while my shoulders strained against another, three feet away. I was horizontal, or as near as made no difference, the two brick faces forming an open shaft. If I relaxed even fractionally, I would die on the cobbles eighty feet below.

So don’t.

It really was that simple. You figured out what you needed to do to stay alive, and you did it, however your sinews screamed and your head swam, because giving in meant falling, and falling meant death.

I was working the old cement factory on Dyer Street, bypassing a rusted-out portion of the ladder to the roof on my way to rebuilding the chimney itself, the top rim of which had shed bricks till it looked like a broken tooth. I braced myself and inched my way up, brick by brick, till I reached the section of ladder that was still intact and tested it with one cautious hand.

Seems solid enough.

I pivoted and swung my body weight onto the lowest rung. For a moment, I was weightless in empty air, seesawing between life and death, and then I was safe on the ladder and climbing at ten times my previous speed.

I am Anglet Sutonga—Ang to those who think they know me—and I am a steeplejack, one of perhaps six or seven dozen who work the high places of Bar-Selehm. Some say I am the best since the Crane Fly himself, half a century ago. They might be right at that, but boasting—even if it stays in your head—makes you careless, and the one thing you really can’t afford up there on the spires and clock towers and chimneys is carelessness. If I was good, it was because at seventeen I’d lived longer than most.

I moved easily over the roof to the point where the great round tower of the chimney reached up into the murky sky, tested the ladder, and began the slow climb to the top. Most of the really tall factory chimneys—the hundred- or two-hundred-footers—taper as they go, but they generally flare at the top, sometimes with an elaborate cap that juts out. These make for interesting climbing. You scale straight up; then you have to kick out and back, hanging half upside down over nothing, till you get over the cap and onto the upper rim.

There are no ladders at the top. If you leave them in place, the anchor holes in the mortar will trap moisture and crack the brick, so after each job, the steeplejack takes the ladders down and fills the holes. In this case, the ladder up to the cap was still there because two months ago, Jaden Saharry—the boy who had been working the chimney—fell, and no one had finished the job.

He was thirteen.

Most steeplejacks are boys. When they are young, it doesn’t much matter what sex they are, because the work is just getting up inside the fireplaces of big houses and climbing around in the chimneys with a brush and scraper. It is all about being small, and less likely to get stuck. But as the steeplejacks grow too big for domestic chimneys and graduate to the factory stacks, strength and agility become key. Then, since no one is looking for a bride who can outlift him, the girls are gradually given other things to do with their daylight hours. I was the only girl over fourteen in the Seventh Street gang, and I maintained my position there by climbing higher and working harder than the boys. And, of course, by not falling.

A new boy—Berrit—was supposed to be up here, waiting for me to show him the ropes, but there was no sign of him. Not a good start, though in truth, a part of me was relieved.

Today I would want to be alone with my thoughts as much as possible.

Ten feet below the great brick overhang of the cap, I cleared the last mortared hole with my chisel and hooked one leg over the top of the ladder so I could use both hands. I took a wooden dowel from my pocket and pressed it into the cavity with the heel of my hand, then drew an iron spike—what we call a dog—from the satchel slung across my chest, positioned its tip against the protruding end of the dowel, and drove it in with three sharp blows of my lump hammer. The action meant straightening up and back, and I felt the strain in my belly muscles as I leaned out over the abyss. The ground, which I could see upside down if I craned back far enough, was a good two hundred feet below. Between me and it, a pair of vultures was circling, their black, glossy wings flashing with the pale light of dawn. I’d been higher, but there comes a point when a few more feet doesn’t really make any difference. Dead is dead, whether you fall from fifty feet or three hundred.

The dog split the dowel peg and anchored in the brick. I tested it, then ran the rope to pull the last length of ladder into place, ignoring the tremble of fatigue in my arms as I hooked and lashed it firm. I took a breath, then climbed the newly positioned rungs, which leaned backwards over the chimney cap, angling my boots and gripping tightly with my hands. Carefully, like a trapeze artist, I hauled my body up, out, and over. I was used to being up high, but it was only when I had to navigate the chimney caps that I felt truly unnerved.

And thrilled.

I didn’t do the job just because I was good at it. I liked it up here by myself, high above the world: no Morlak looking over my shoulder, no boys testing how far they had to go before I threw a punch, no wealthy white folk curling their lips as if I put them off their breakfast.

I clambered over and sat inside the broad curve of the chimney’s fractured lip, conscious of my heart slowing to something like normal as I gazed out across the city. From here I could count nearly a hundred chimneys like this one. Some taller, some squat, some square sided or stepped like pyramids, but mostly round like this, pointing up into the sky like great smoking guns, dwarfing the minarets and ornamental roofs that had survived from former ages.

It had once been beautiful, this bright, hot land rolling down to the sea. In places, it still was—wide and open savannahs where the sveld beasts grazed and the clavtar stalked; towering mountains, their topmost crags lost in cloud; and golden, palm-fringed beaches.

And sky. Great swatches of startling, empty blue where the sun burned high during the day, and night brought only blackness and a dense scattering of stars.

That’s how it had been, and how it still was not so very far away. But not here. Not in Bar-Selehm. Here were only iron and brick and a thick, pungent smoke that hung in perpetual shroud over the pale city, shading its ancient domed temples and stately formal buildings. A couple of miles inland, down by the Etembe market, the air was ripe with animal dung, with the mouthwatering aroma of antelope flesh roasted over charcoal braziers, with cardamom, nutmeg, and pepper and, when the wind blew in from the west, the dry but fertile fragrance of the tall grass that bent in the breeze all the way to the mountains. In the opposite direction was the ocean, the salt air redolent with fish and seaweed and the special tang of the sea. But here there was only smoke. Even all the way up the chimneys, above the city, and at what should have been the perfect vantage on the minarets of Old Town, and on the courts and monuments of the Finance District, I could see little through the brown fog, and though I wore a ragged kerchief over my mouth and nose, I could still taste it. When I spat, the slime was spotted with black flakes.

“If the work doesn’t kill you,” Papa used to say, “the air will.”

I sat on the dizzying top, my legs hooked over the edge, and below me nothing for two hundred feet but the hard stone cobbles that would break a body like a hundred hammers.

I studied the cracked and blackened bricks around the chimney’s rim. Three whole rows were going to have to come out, which meant ferrying hods of new bricks and mortar up and down the ladders. It was a week’s work or more. I was faster than the others on the team, and though that generally earned me little but more work, I might make an extra half crown or two. Morlak didn’t like me, but he knew what I was worth to him. And if I didn’t do the job, if Sarn or Fevel took over, they’d mess it up, or miss half of what needed replacing, and we’d all suffer when the chimney cap crumbled.

I gazed out over the city again, registering … something.

For a moment it all felt odd, wrong, and I paused, trying to process the feeling. It wasn’t just my mood. It was a tugging at the edge of consciousness like the dim awareness of an unfamiliar scent or a half memory. I moved into a squat, hands down on the sooty brick, eyes half-closed, but all I got was the fading impression that the world was somehow … off.

I frowned, then reached back and worked the tip of my chisel into the crumbled mortar. Steeplejacks don’t have much time for imagination except, perhaps, in fiction, and since I’m the only one I know who reads books, I’m not really representative. Three sharp blows with the hammer, and the brick came free, splintering in the process, so that a flake flew out and dropped into the great black eye of the chimney.

I cursed. Morlak would let me know about it if I filled the grate at the bottom with debris. I gathered the other remains and scooped them into my satchel, then repositioned the chisel and got on with the job.

No one choses to be a steeplejack. A few are poor whites and orphans, some are blacks who fall foul of the city and cannot return to a life among the herds on the savannah, but most are Lani like me, lithe and brown, hazel eyed, and glad of anything that puts food in their mouths. A few, men like Morlak—it is always men—make it into adulthood and run the gangs, handing off the real work to the kids while they negotiate the contracts and count the profits.

I didn’t mind it so much. The heights didn’t bother me, and the alternative was scrubbing toilets, working stalls in the market, or worse. At least I was good at this. And on a clear day, when the wind parted the smog, Bar-Selehm could still be beautiful.

I set the hammer down. The satchel was getting full and I had only just begun. Standing up, I turned my back toward the ladder, and for a moment, I felt the breeze and steadied myself by bending my knees slightly. In that instant it came again, that sense that the world was just a little wrong. And now I knew why.

There was something missing.

Normally, my view of the city from hereabouts would be a gray-brown smear of rooftops and chimney spikes, dark in the gloom, save where a single point of light pricked the skyline, bathing the pale, statuesque structures of the municipal buildings with a glow bright and constant as sunlight. Up close it was brilliant, hard to look at directly, even through the smoke of the chimneys. By night it kept an entire block and a half of Bar-Selehm bright as day, and even in the densest smogs it could be seen miles out to sea, steering sailors better than the cape point lighthouse.

It was known as the Beacon. The light was housed in a crystal case on top of the Trade Exchange, a monument to the mineral on which the city had been built, and a defiantly public use of what was surely the most valuable item in the country. The stone itself was said to be about the size of a man’s head, and was therefore the largest piece of luxorite ever quarried. It had been there for eighty years, over which time its light had barely diminished. Its value was incalculable.

And now it was gone. I strained my eyes, disbelieving, but there could be no doubt. The Beacon was not dimmed or obscured by the smoke. It was gone, and with that, the world had shifted on its axis, a minute adjustment that altered everything. Even for someone like me, who was used to standing tall in dangerous places, the thought was unsettling. The Beacon was a constant, a part of the world that was just simply there. That it wasn’t felt ominous. But it also felt right, as if the day should be commemorated with darkness.

Papa.

I touched the coin I wore laced round my neck, then took a long breath. There was still no sign of Berrit, and my satchel needed emptying.

After moving to the top of the ladder, I reached one leg over, then the other. There was a little spring in the wood, but the dogs I had hammered into the brickwork were tight, and the ladder felt sure under my weight. Even so, I was careful, which was just as well, because I was halfway over the perilous cap when someone called out.

The suddenness of it up there in the silence startled me. One hand, which had been moving to the next rung, missed its mark, and for a moment, I was two-thirds of the way to falling. I righted myself, grabbed hold of the ladder, and stared angrily down, expecting to see Berrit, the new boy, made stupid by lateness.

But it wasn’t, and my annoyance softened.

It was Tanish, a Lani boy, about twelve, who had been with the gang since his parents died three years ago. He was scrambling recklessly up, calling my name still, his face open, excited.

“Stop,” I commanded. “Wait for me on the roof.”

He looked momentarily wounded, then began to climb down.

Tanish was the closest thing I had to an apprentice. He followed me around, learning the tricks of the trade and how to survive in the gang, gazing at me with childish admiration. He was a sweet kid, too sweet for Seventh Street, and sometimes it was my job to toughen him up.

“Never call up to me like that,” I spat as soon as we were both at the foot of the chimney. “Idiot. I nearly lost my grip.”

“Not you, Ang,” the boy answered, flushed and sheepish. “You’ll never fall.”

“Not till I do,” I said bleakly. “What are you doing here? I thought you were working the clock tower on Dock Street?”

“Finished last night,” said Tanish, pleased with himself. “Superfast, me.”

“And it still tells the right time?”

Tanish beamed. Last time he had been working a clock with Fevel, they had left the timepiece off by three and a half hours. When the owner complained, they climbed back up and reset it twice more, wildly wrong both times, too embarrassed to admit that neither one of them could tell time. Eventually Morlak had done them a diagram and they had had to climb up at double the usual speed to set the mechanism. Even so, they had left the clock four minutes slow and its chime still tolled the hour after every other clock in the city, so that the gang jokingly referred to Tanish Time which meant, simply, late. .

“Well?” I demanded, releasing the hair I keep tied back while I work. It fell around my shoulders and I ran my fingers roughly through it. “What’s so important?”

“It’s your sister,” said Tanish, unable to suppress his delight that he was the one to bring the news. “The baby. It’s time.”

I closed my eyes for a moment, my jaw set. “Are they sure?” I asked. “I wasted half of yesterday sitting around out there—”

“The runner said they’d brought the midwife.”

Today of all days, I thought. Of course it would be today.

“Right,” I said half to myself. “Tell Morlak I’m going.”

My pregnant sister, Rahvey, was three years my senior. We did not like each other.

“Morlak says you can’t go,” said Tanish. “Or—” He thought, trying to remember the gang leader’s exact words. “—if you do, you better be back by ten and be prepared to work the late shift.”

That was a joke. Rahvey and her husband, Sinchon, lived in a shanty on the southwest side of the city, an area traversed by minor tributaries of the river Kalihm, and populated by laundries, water haulers, and dyers. It was known as the Drowning, and it would take me an hour to get there on foot.

Well, there was no avoiding it. I would have to deal with Morlak when I got back.

Morlak was more than a gang leader. In other places, he might have been called a crime lord, and crossing him was, as the Lani liked to say, “hazardous to the health,” but since he provided Bar-Selehm’s more respectable citizens with a variety of services, he was called simply a businessman. That gave him the kind of power he didn’t need to reinforce with a stick and brass knuckles, and ordinarily I would not dream of defying him.

But family was family: another infuriating Lani saying.

I had two sisters: Vestris, the eldest and most glamorous, who I barely saw anymore; and Rahvey, who had raised me while Papa worked, a debt she would let me neither pay nor forget.

“Take my tools back for me,” I said, unslinging the satchel.

“You’re going?” said Tanish.

“Seems so,” I answered, walking away. I had taken a few steps before I remembered the strangeness I had felt up there on the chimney and stopped to call back to him. “Tanish?”

The boy looked up from the satchel.

“What happened to the Beacon?” I asked.

The boy shrugged, but he looked uneasy. “Stolen,” he said.

“Stolen?”

“That’s what Sarn said. It was in the paper.”

“Who would steal the Beacon?” I asked. “What would be the point? You couldn’t sell it.”

Tanish shrugged again. “Maybe it was the Grappoli,” he said. Everything in Bar-Selehm could be blamed on the Grappoli, our neighbors to the northwest. “I’ll go with you.”

“Don’t you have to get to work?”

“I’m supposed to be cleaning Captain Franzen,” he said. “Supplies won’t be here till lunchtime.”

Captain Franzen was a glorified Feldish pirate who had driven off the dreaded Grappoli three hundred years ago. His statue stood atop a ceremonial pillar overlooking the old Mahweni docks.

“You can come,” I said, “but not into the birthing room, so you won’t see my sister perform her maternity.”

He gave me a quizzical look.

“The stage missed a great talent when my sister opted to stay home and have babies,” I said, grinning at him.

He brightened immediately and fell into step beside me, but a few strides later stopped suddenly. “Forgot my stuff,” he said. “Wait for me.”

I clicked my tongue irritably—Rahvey would complain about how late I was even if I ran all the way—and stood in the street, registering again the void where the glow of the Beacon should be. It was like something was missing from the air itself. I shuddered and turned back to the factory wall.

“Come on, Tanish!” I called.

The boy was standing beneath the great chimney, motionless. In fact, he wasn’t so much standing as stooping, frozen in the act of picking up his little duffel of tools. He was staring fixedly down the narrow alley that ran along the wall below the chimney stack. I called his name again but he didn’t respond, and something in his uncanny stillness touched an alarm in my head. I began moving toward him, my pace quickening with each step till I was close enough to seize him by his little shoulders and demand what was keeping him.

But by then I could see it. Tanish turned suddenly into my belly, clinging to me, his eyes squeezed shut, his face bloodless, and over his shoulder I saw the body in the alley, knowing—even from this distance—that Berrit, the boy I had been waiting for, had not missed our meeting after all.

CHAPTER 2

Berrit was Lani, like Tanish and me. He had been, maybe, ten. I had met him once over our communal meal at the Seventh Street weavers’ shed two nights ago, when Morlak thrust him in front of me, barked his name, and told me he would be shadowing me for a few days. I had just grunted, nodding at the boy, who looked subdued and frightened. I had meant to take him aside later on, introduce myself properly—without Morlak standing over us, ready with his clumsy jokes designed to embarrass me—but I never did. Somehow, when I wasn’t looking, he had slunk away to sleep, unnoticed. It was a smart and useful skill to have on Seventh Street, inconspicuousness, and I privately commended him for it, but since I was summoned to Rahvey’s bedside the following day, I hadn’t set eyes on the boy again until I saw his broken body huddled by the factory wall.

Tanish was distraught. He had spent more time with the new boy, and had never seen the result of a long fall before. I sent him to get help, and he fled, eyes streaming. Driven by an inexplicable sense of failure, of guilt, I forced myself to look.

I had seen death before. For someone of my age and background, living in the highest and—figuratively speaking—lowest places of Bar-Selehm, it was impossible not to. That does not mean that I was immune to the grief and horror of death, and if you do not know what a fall from a great height does to a human body, thank whatever god you believe in and hope you never find out. I will not be the one to show you.

He looked so very small. Under the horror of how he had died I felt the stirrings of something deeper and more awful: something like grief, which drained my soul and brought to my eyes the tears that I had not allowed myself to shed in front of Tanish. He needed me to be strong, and I had been, but now I was alone and might crack open the door to my feelings. I felt pressure from the other side, like deep water held in check by a dam, and I squeezed the door shut once more.

I took refuge in thought, in reason, which kept feelings at bay. The drop from the chimney was sheer. There was nothing on which the boy might have cut himself before hitting the cobbled ground, so the sharp, precise incision, no more than an inch across and located directly over his spine, was strange. It would need to be cleaned and studied by people who knew what such things meant, but it raised a possibility.

The fall did not kill him.

The idea came before I could dodge it, and hung in my head like the absent Beacon, blazing.

Around his neck he wore a copper pendant on a thong, a pretty thing with a sun rendered in gold enamel on a cobalt blue disk. I removed it carefully and pocketed it. There would be someone who had loved him. They should get it.

“You found him?” asked the uniformed policeman who attended the ambulance orderlies. He was tall, white, with an overly tended mustache that was barely the right side of comic. He spoke to me in Feldish, which I spoke fluently, albeit with a Lani inflection. If you worked in Bar-Selehm, you had to, even the Lani when we left our own communities. It was the language of the whites, and as such it had become the language of government, of finance, trade, law, and all things that mattered. Lani like Rahvey’s husband, Sinchon, who knew only a few words of it, were virtually unemployable beyond the Drowning. I spoke it and, thanks to Vestris, even read it.

I’m not an eloquent person. I read a lot but I spend my days up with the roosting flying foxes and the silver-winged night crows, who aren’t great conversationalists. At night I’m surrounded by adolescent boys, who are worse. I love words, but mostly they stay in my head, especially in the presence of authority.

“I was with the boy who found him, yes,” I said.

“His name is Berrit?”

“Yes.”

“Last name?”

“I don’t know.”

“He’s a steeplejack?”

“Apprentice. This was his first day.”

“And he was going to work with you?”

“Yes.”

“And you are?”

“Anglet Sutonga. I work for Morlak.” I frowned, and he gave me a hard look.

“What?” he demanded.

“Nothing, sir,” I said.

“You were thinking something,” he pressed. “What? I won’t ask again.”

“Just…” I faltered. “I wondered why you weren’t writing this down.”

“Got a good memory, me,” said the policeman, gazing off down the alley. “And the city has other things to think about today. Get it all up, lads!” he called to the ambulance men. “There’s a tap on the wall. Hose off the street when you’re done.”

A vulture had settled in the alley and was watching us, waiting. I shouted at it and it flapped a few paces away, bobbing its bald head.

“Pictures,” I blurted out.

“What?” said the policeman again.

“Photographs,” I said, eyes down, abashed. “You’ve started taking pictures at crime scenes. I saw them in the paper.”

“So?”

“They haven’t taken any,” I said, risking a look into his face.

“Crime scenes,” he echoed as if I were unusually stupid. “This was an accident.”

“But…” I hesitated.

“But what?”

I took a breath. “The body. There’s a knife wound on the back.”

“Expert, are you?” said the policeman, giving me a sour look this time. “Steeplejack and detective, eh? Impressive. I thought girls like you had other ways of making your money.” He smirked, then gazed off down the street again. His eyes were straying to where the Beacon should have been but wasn’t. For all his casualness, he looked troubled.

And that, I thought, was that. There would be no investigation, no real questions asked, not for a Lani street brat, particularly on a day when the city’s most recognizable landmark had vanished. I put my hand in my pocket and was surprised to find the copper pendant on its leather thong. I took it out. It was a small thing, and for all the care of the workmanship, it was close to worthless.

The thought sent a shard of pain through my chest, and I had to pause and breathe again before squeezing my eyes—

and the dam

shut, and pocketed it once more.

Tanish was waiting for me, sitting in the shade, his knees drawn up tight to his skinny chest. He got to his feet as he saw me push through the huddle of gawkers craning for a glimpse of blood, elbowing aside a man in fancy shoes and a linen suit, who turned abruptly and walked away. Even in my haste to get to Tanish, I noted the speed with which the man left, the focus, the economy of motion, and found myself wondering how long he had been watching and why.

I didn’t have the heart to tell Tanish to go home. Sarn had come, he said. Tanish had given him our tools. He would come back soon with Morlak. I didn’t want to be around then, so I set off for my sister’s house, Tanish trailing silently at my heels like a lost dog.

Everyone was rattled by the absence of the Beacon. You could see them gazing at the spire on top of the Trade Exchange, and there was a more than usually frantic crowd at the newspaper stand on Winckley Street. I scanned the headlines, which brayed the obvious: that the Beacon had gone. Beyond that, the papers knew nothing, and the report was more hysteria than news.

“You gonna buy that?” demanded the street vendor, a black girl with her hair pulled back so tight that her forehead looked strained.

“With what?” I asked with a hollow smile. The girl glared unsympathetically and I let go of the paper, backing away from the throng and moving round the corner and into Vine Street.

“My mother taught me to read,” said Tanish. It was just something to say, I think, but once he had got it out it sounded forlorn.

“My sister taught me,” I answered, trying to sound cheerful. “Not Rahvey. Vestris.”

“How come I’ve never seen her?”

“She’s too fancy for the likes of you,” I said, unable to suppress a genuine smile now.

“Fancy?”

“Glamorous,” I said. “Rich.”

“I’d like to see her one day,” said Tanish. He had heard me talk of Vestris before and had caught a little of my reverence for her. “What does she do?”

“Do?”

“For, you know, a job?” he asked. “I mean, why is she so rich if she grew up like you?”

“Oh, she’s just sort of special,” I said airily. “She’s not rich because of where she works.”

“Why, then?”

I laughed, waving the question away. “She’s just different from the rest of us,” I concluded.

“Special,” he said, uncertain.

“Exactly.”

And I felt what I always felt when I thought of Vestris: a kind of vague privilege that I knew her. It was like sitting in a shaft of sunlight on a cool day, a private warming glow that made me the envy of everyone around me.

“One time when we were little,” I said, “the mine where Papa worked had been closed and he had no work, which meant we had no money. Vestris brought food home every night. Rahvey asked her how she was paying for it, and you know what she said?”

“What?”

“She said, ‘I just ask nicely. I explain that my sisters are hungry, and people give us food.’”

“So she was begging.”

“No,” I said. “It wasn’t like that. She’s just the kind of person people want to please. I can’t explain it.”

Tanish looked at me for more, but I said nothing.

The city was walled, and though urban sprawl had long since outgrown the old fortifications, the walls still marked the limits of Bar-Selehm proper and they were routinely patrolled. It was clear as we approached the West Gate, however, that something different was going on this morning. One of the ancient iron-bound doors had actually been closed—the first time since the city had quarantined itself during a cattle death outbreak three years ago—and people were being funneled through a gamut of dragoons. The soldiers wore their scarlet jackets and feathered helmets in spite of the mounting heat, and they carried rifles with sword bayonets. Two were mounted on striped orleks—local, zebralike horses—which stamped and tossed their heads restlessly. The troops on the ground were white, but there were members of one of the black regiments up on the walls.

This too was about the Beacon. Not Berrit.

The soldiers checked papers, but the only people they detained were those carrying bags, baskets, or crates. Me and Tanish, they practically ignored, though I flinched away when one of the orleks stooped toward me, its nostrils flaring. I’m a city girl, and am not good around large animals. Once through the checkpoint, I increased my pace till Tanish was almost running to keep up.

The residential streets of the Drowning had no official names and did not appear on any map, rather coming and going from season to season as the river dwindled and flooded, shifting its course and turning what had been a bustling tent city to marshland. There were no sewer lines but the river in the Drowning. The street corners sprouted ragged produce stands, huddles of itinerant laborers hoping to be hired for a few hours, and makeshift barbecues fashioned from scrap metal and fueled by homemade charcoal. This was where I had grown up. The hut in which I was born had long since turned to firewood and no one could remember exactly where it had stood, but this was, I supposed, home.

Once. When Papa was still alive.

The Drowning smelled different from the industrial heart of the city where I lived now, a sour smell of bodies and animals and rotting vegetables. I preferred the bitter tang of the chimneys, even if it left me hacking till my throat burned, and coated my face and arms with soot. The Drowning stank of poverty, ignorance, and despair.

I hated it.

The Lani aren’t indigenous to the region. We were brought here almost 200 years ago from lands to the east by the whites from the north. My ancestors came as indentured servants, manual laborers and field hands, living separate from both the indigenous Mahweni and the whites. They were never slaves and believed they had settled in Feldesland by choice, keeping to themselves as the northerners conquered, bought, and absorbed more and more of the land from the native blacks. The Lani were neither military nor political, and reasoned that as long as they were left to their own devices, they were better staying out of the disputes and skirmishes during the white settlement of the region. By the time they looked up from their cooking fires to find that they had turned into a squalid and itinerant people living peasant lives, it was too late.

Most of Morlak’s gang came from here or somewhere similarly ragged and decaying. Some of them, like Tanish, still thought of this place as home, and his mood brightened as we reached the first outlying huts and tents.

“I see Mrs. Emtiga’s ass got out again,” he said, amused. “That thing needs an armed guard and a castle wall.”

I laughed, then risked a question. “Berrit was a Drowning boy too, right? You must have been almost the same age.”

A Drowning boy. That’s what they called them, proudly and with no sense of the bitter irony.

Tanish didn’t look at me. “I didn’t remember him till we spoke a few days ago,” he said. “But, yes. I think we played together when we were little. Then he went to the Westside gang and I stayed here till…”

Till Tanish’s mother died.

“Why did he leave Westside?” I went on quickly.

“Got traded,” said Tanish. “Part of a deal involving the Dock Street warehouse and some building supplies.”

So Morlak bought him. That wasn’t supposed to happen, but it did.

“How did he feel about that?” I asked.

Tanish shrugged. “Didn’t seem to care,” he said. “Said he was going to be something big in the Seventh Street gang.”

“He’d been a steeplejack for the Westside boys?”

“Nah,” said Tanish. “He said he’d been a pickpocket, but I think he was really a bootblack. Might have done a bit of thieving on the side, but that wasn’t how he earned his keep. He’d never been up a chimney, inside or out. He pretended not to be, but I think he was scared of heights.”

“So why did he think he was going to be big in the gang?”

“Optimist,” said Tanish bleakly. “Always going on about what he was going to do when his ship came in.”

I nodded thoughtfully, and as Tanish’s face tightened with the memory, I decided to switch direction. “What about you?” I asked, ruffling his hair affectionately. “What will you do when your ship comes in?”

“Ships don’t come in for the likes of us,” he said.

“Sure they do,” I tried, not believing it.

“Then they’ll be rusted-up pieces of kanti,” he said.

I laughed. “Full of rats,” I agreed.

“And holes,” he added. “And sharks would swim in through the holes and live in the hold, ready to bite your legs off as soon as you went aboard.” He grinned at the idea, and that, for the moment, was as good as things were going to get.

Inside the tent city, a gaggle of local women and their kids had already gathered outside the hut. There was a sense of drama brewing in the air, and they paused in their chatter as we approached, nodding at me with caution and watchfulness. Sinchon’s look as I opened the hut’s juddering door was, however, loaded with accusation.

No surprise there.

Sinchon shared his wife’s disdain for his antisocial sister-in-law. He was a hoglike man who scratched a living panning for luxorite in the river above the Drowning. He had found a couple of grains five years ago, but nothing since, and lived mainly off the scraps of minerals he turned up from time to time. The kids laughed at him, because everyone knew there was no luxorite being found anymore, but he still thought I was beneath him.

“Where have you been?” he shot, pausing in the whittling of a stick. “The baby is almost here.”

“I’m here now,” I said.

“Your sister needed you earlier.”

“I was working,” I replied, avoiding his eyes.

And Rahvey hasn’t needed me a day in her life, I added to myself.

“Who’s that?” he asked, gazing past me to where Tanish was loitering on the steps.

“Someone I work with. Used to live here. He’ll help you get some water.”

There was a snatch of conversation from the room beyond the thin lattice door, a woman’s voice. Sinchon looked at the door but did not move. Lani men didn’t go into the delivery room until it was over.

“Hope to the gods it’s not a girl,” he said as I crossed the room.

I said nothing, but I felt the chill grip of the idea inside my chest. Rahvey had had a son who she lost to the damp lung when he was two. She had three girls already. She would not be allowed a fourth.

They dressed it up in other words, but the bald truth was that Lani girls were not considered worth raising. They were married off—expensively—as soon as possible, but the problem wasn’t really about cost. Lani culture was made by men. They were the leaders, the lawmakers, the property holders. Women raised the children, cooked, cleaned, and did as they were told. If they worked outside the home, they were paid less than men for the same job by their Lani bosses, and working for anyone else meant turning your back on your people. Though Morlak and most of his gang were Lani, the mere fact of working in the city proper meant that to most of the people I had grown up with, I had abandoned them. At their best, girls were pretty things used to ally families. At their worst, an annoyance.

Poverty and ignorance have a way of clinging to bad ideas. The worst among what were sanctimoniously clustered as “the Lani way” was the rule that said that no family could have more than three daughters. The first daughter, it was said, was a blessing. The second, a trial. The third, a curse. As a third daughter myself, I felt the full weight of that last piece of wisdom, which was why I spent as little time among “my people” as possible. Rahvey had three girls already. If she gave birth to another, the child would be sent to an orphanage. In the old days, if no suitable mother could be found, more drastic steps would be taken, a grim little secret the appalled white settlers had made illegal. Such practices had, supposedly, ended, but there were accidents during the birthing of unwanted daughters, which people did not scrutinize too closely.

“Is it true, what they are saying?” Sinchon asked, his hand on the door handle.

“About what?” I replied, thinking of Berrit.

“The Beacon,” said Sinchon. His usually impassive face looked uncertain, hunted. “We can’t see it. They are saying someone stole it.”

I frowned, feeling again that sense that the earth had wobbled beneath my feet. “I don’t know,” I said.

“Isn’t that where you work?” he demanded, masking his unease with a contempt with which he was more comfortable.

“It’s not there,” I said. “I don’t know what happened to it, but it’s gone.”

Sinchon’s face set, but he said no more and left.

The inner room was just big enough for a bed and a stove, and the latter had been loaded with coal. It was stiflingly hot, and the air was vinegar sour with sweat. The midwife, kneeling between Rahvey’s splayed legs, shot me a look as I came in, and snapped, “Close the door! You’re letting the cold in.”

There was no cold, but I did as she asked.

At the head of the bed, Rahvey looked surprisingly placid, but when her eyes flicked to mine, her face fell instantly.

I was not the sister she had been waiting for. I never was.

“Pass me that towel,” said Florihn, the midwife. I squatted beside her, but kept my eyes on the wall. “About time you were having one of these yourself,” the woman added.

I had seen her around the camps for years, coming and going with bloodstained napkins and buckets of water. She lost no more babies than was usual, and had birthed me seventeen years ago, but I had never taken to her. I suppose I imagined the midwife’s disappointed announcement of what I was when I had first emerged bawling from my mother. Another girl. I could not, of course, actually remember the moment, but I was sure it had happened, and a small and spiteful part of me hated her for it.

And there was one thing more. My mother had not survived my birth. She had heard me cry, I was told, had held me for a while, but she had lost too much blood, and nothing Florihn had been able to do could save her.

Third daughter, a curse.

So, yes, though the idea made my stomach writhe with the injustice of it, when I looked at Florihn, I could not stifle a pang of guilt.

“Any word from Vestris?” asked Rahvey.

Our idolized elder sister.

My heart skipped a beat at the thought of seeing her.

“We sent to her,” said Florihn, not looking up, “but haven’t heard back yet.”

“She’ll come,” said Rahvey, lying back. “For the naming, if not before. She’ll come.”

It was a statement not of hope but of faith.

I was not so sure. Vestris was twenty-five, eight years my senior, which was enough to mean that we had barely grown up together at all, though my earliest memories were of her—not Rahvey, and certainly not my devoted but illiterate father—reading to me. She had found work at an ambassador’s residence while I was still small. There she had attracted the interest of men far beyond our family’s caste or social station. Our mother had been, I was told, a beautiful woman, and while both Rahvey and I had inherited something of her looks, it was Vestris who drew people’s eyes. In my childish recollections, our eldest sister had been a figure of exquisite and mysterious appeal, and as her social setting improved, so did the wealth of her clothes. She was a society lady now, and her appearance in the Drowning was greeted with the kind of reverent excitement people normally reserved for comets. Rahvey worshipped her.

“Look at this,” said Florihn to me, pointing between Rahvey’s legs. I forced myself to look, though I couldn’t make sense of what I was seeing.

“Is that right?” I managed.

Florihn gave me a smug smile and seemed to wait on purpose, as if driving home my ignorance. “I guess books don’t teach you everything,” she said.

The learning my eldest sister had passed on to me had always been something of a local joke, especially considering what I had opted to do with my life.

Florihn was giving me an inquisitorial stare, and eventually I shrugged.

“Yes, it’s fine,” she said at last. “But there’ll be no baby today.”

“I came because I thought it was happening now.

Rahvey said nothing, but gave me a defiant look.

“This is a time for family,” said Florihn piously. “You’d know that if you spent more time here.”

I blinked. They didn’t want me around. Not really. They just wanted me to feel bad for not being like them. I felt the certainty of it like a stone in my boot that I couldn’t shake out, a constant irritant that might one day make me lame.

No wonder I preferred life up on the chimneys, alone in the sky.

“I have to go back to work,” I said, rising. “Has anyone…?”

I hesitated and Rahvey gave me a blank look this time.

“Has anyone been to the cemetery?” I asked, my voice carefully neutral.

Rahvey turned away. “We’ve been a little busy,” she said, her voice managing to suggest an outrage she didn’t really feel.

I nodded. “I’ll go,” I said.

“Of course you will,” said Rahvey. And this time the bitterness was real.

CHAPTER 3

On the East Side of the Drowning was an ancient, weather-beaten temple teeming with vervet monkeys and fire-eyed grackles. It was as close to leaving the city as I ever got, a kind of halfway house between the urban sprawl of Bar-Selehm and the wilderness beyond. By day, an elderly priest burned incense and chanted among the weed-choked altars for whoever put a copper coin in his bowl, but by night, the little shrines and funerary markers were haunted by baboons and hyenas. For a city girl like me, it was unnerving, but I had no choice. Two years ago, my father’s remains were buried here.

Papa.

He was a good Lani, a good father, a kindly, brown-eyed giant of a man, quick to grin, to play, to tease. I had loved him with all my heart and missed him every day.

“I’ll always keep you safe, Anglet,” he had said. “I’ll always be there to look after you.”

The only lie he ever told me.

I was already grown up when he died, already working, but till then and in spite of everything I went through in the Seventh Street gang, I had never felt truly alone. Papa had always been there, a buffer between me and my sisters, my work, the world in general, ready with a touch, a word, a smile that calmed my raging blood, dried my tears, and told me that all would yet be well. Always. He was my rock, my consolation, and my joy. When Papa looked at me, the universe made sense, and all the words the others hurled at me fell harmless at my feet or blew away like smoke.

He died in a mining accident with four other Lani men. He was trying to reach two apprentices who had been trapped by a rockfall, but the new passage they opened released a pocket of gas. There was an explosion. It took a week to get to the bodies after the shaft collapsed, and I was not allowed to see him. His remains were burned as is our custom, and the ash strewn over the river, save for one fragment of bone that was interred in the hard, dusty grounds of the temple.

Two years to the day.

I have been alone ever since. I believe the two apprentices were found unharmed.

Tanish came with me to the grave, eyeing me sidelong and careful not to make noise. Partly he was trying to show respect, but it was also the place that left him subdued. He had seen enough death for one day. I would have told him to leave me to my thoughts, but a family of hippos had taken over the riverbank below the temple, and a Lani woman had been killed by one of them when she went to draw water only a couple of weeks before. I didn’t want him wandering alone, so I let him hover awkwardly at my back as I found the marker and knelt down, sitting on my heels.

Someone had placed crimson tsuli flowers on the grave, bound with gold cord. They were fresh and lustrous, hothouse grown at this time of year. Expensive.

Vestris.

It had to be. I felt a quickening of my pulse as I sensed my sister’s presence, and my eyes flashed hungrily around the graveyard as if she might still be there. But she was gone, and my disappointment felt suddenly shameful. Deflated, I adjusted the flowers and focused on the stone marker, feeling young and alone.

Family is family.

Except when it’s gone.

I said nothing, feeling the coin I wore on a thong around my neck.

All steeplejacks wore something that connected them to their past. It was a claim to a version of yourself that wasn’t about the work. Berrit’s had been his sun-disk pendant. Mine was an old copper penny Papa gave me. It had been misstamped and bore the last king’s head on both sides. The Seventh Street boys thought I kept it for luck, because I could flip the coin and always guess correctly what would come up, but I didn’t. I kept it because Papa gave it to me and because when he did, he said, “Because it’s rare. Like you, Ang. One of a kind.”

He thought I was special. I wasn’t, but he believed otherwise, and that almost made it true.

Now I turned the coin over and over in my fingers, and the face embossed on its twin sides became his in my mind so that I pressed it to my lips and closed my eyes like a little kid who thought that wishing might bring him back.

I had never lived in Rahvey’s house, but those refuse-blown streets with the sour smell of goats and the stagnant reed beds by the river were all too familiar. Whenever I went back to the Drowning now, all I found was what was gone, the spaces Papa had left behind him. No wonder I hated the place. It was a land of ghosts, of absences.

I had learned long ago not to cry, no matter the hurt in your hands or your heart. Tears in the city gangs meant fear and weakness, and they were punished without mercy. I knew that, and I knew that after this morning, Tanish needed me to be strong.

But this was hard.

Harder than I had expected. It had been, after all, two years. The grief at first, coupled as it was with shock and horror, had been almost unbearable, but over the subsequent weeks and months, it lessened. In my childish imagination, I figured it would continue to fade, like a distant ship sailing beyond the reach of vision until it disappeared entirely. But it hadn’t, and I saw now, kneeling on the sandy dirt and staring at the roughly carved stone that bore his name, that it never would. I would always be straining to see him, reaching for him, and he would never be there. I would carry his absence like a hole in my heart forever.

I remembered Berrit, a boy I had not known, who died on Papa’s anniversary, and a single tear slid down my nose and fell onto the dusty earth as if I were watering a tiny seedling. I wiped the trace away before turning to Tanish, who was gazing about him, looking glum and a little bored. He had not seen.

I laid a fistful of wild kalla lilies on the grave next to Vestris’s tsuli flowers and set my face to meet the world, but as I half turned to Tanish, someone called.

“Anglet!”

I recognized the girl as one of those who did errands for Florihn, the midwife. “What?” I called back, though I knew what was coming.

“It’s started!” cried the girl.

I followed her to Rahvey’s house, where Sinchon was sitting on the porch, scowling. As I approached, a roar of agony came from inside, a woman’s voice—though one so pressed to the limits of human endurance that I heard no sign of my sister in it. I didn’t speak to Sinchon, but yanked the door open and stepped inside.

It was even hotter than it had been earlier, and Florihn, crouching between my sister’s legs, shot me an irritated look when I entered, as she had the first time. At the far end of the bed, Rahvey’s red, glistening face was a rictus of pain.

As I set my things down, she began to scream again, an unearthly, animal sound like the weancats that prowled the edge of the Drowning when prey in the hinterlands was scarce. I winced, the hair on the back of my neck prickling, but Florihn just grinned.

“That’s right,” she said to Rahvey. “You cry it out.”

As soon as the contraction passed, I said, “I thought there would be no baby today?”

From her place between Rahvey’s legs, Florihn scowled at me, then refocused on Rahvey and said simply, “Now.”

It took no more than five minutes, and I kept my gaze locked on my sister’s face for as much of it as possible. When the baby emerged, I did as I was told, but I couldn’t stop staring at the child.

It was a girl. The fourth daughter.

For a long moment, no one moved or spoke. The baby wailed over Rahvey’s exhausted panting, and I just looked at it, registering the awful truth, so that for a few seconds, it seemed that time had stopped.

At last the midwife seemed to come back to herself. Her face was ashen, but she brought her fluttering hands together and pressed her fingertips, a gesture of composure and resolution, both hard won.

Then she stood up and took a deep, quavering breath. “Where’s my knife?” she asked.

“Wait,” I said. “What are you doing?”

“Cutting the cord,” said Florihn. “What did you think?”

Rahvey gaped, her eyes flicking to the midwife for guidance.

“Then what?” I asked.

There was a moment’s stillness; then the baby began to cry again. The midwife wrapped her in a towel and set the child on the floor before turning on me and speaking in a low whisper. “Fourth daughter,” she said. “You know what that means. Rahvey can’t keep it. It goes to a blood relative or we take it to Pancaris,” said Florihn.

Pancaris was an orphanage run by one of the Feldish religious orders—dour-habited, grim-faced white nuns who raised children to be domestic servants.

“Till she runs away and turns beggar or whore,” I said, looking at the brown, wriggling infant, so small and powerless.

“There’s no other choice,” said Florihn dismissively. “And they’ll teach her what she needs.”

“Like what?” I asked.

Florihn gave me a hard look for my temerity, but she answered. “They’ll teach her to scrub. To cook. To wield a pick or wheel a barrow. Anything else is just making promises you can’t keep. You of all people should know that.”

I looked to Rahvey, but she kept her eyes fixed on Florihn, the way Tanish stares at me to avoid looking down from the chimneys.

“Rahvey,” I said, dragging her gaze to my face. “Maybe there’s another way. Maybe this fourth-daughter business can—”

“Can what?” demanded Florihn.

“I don’t know,” I said, quailing under the woman’s authoritative stare.

My sister gaped some more, at me this time, then looked back to the midwife. She squeezed her eyes shut, and a tear coursed down her cheek. Her grief gave me the courage I needed.

“Maybe we could keep her,” I said, feeling the blood rise in my face.

Florihn blinked, but she maintained a rigid calm. Her eyes became two slits as she considered how to respond. “‘We’?” she said, staring me down. “What will your contribution be to raising an unseemly child? Where will you be when your sister has to raise more money to feed another mouth?” When I said nothing, she added, “Yes, that’s what I thought.”

“Sinchon could look for a different kind of job,” I said unsteadily, but Florihn, reading the panic in Rahvey’s face, cut me off.

“And you’ll tell him that, will you?” she demanded. “You have forgotten everything. This is our way. The Lani way.”

Then it’s a stupid way! I wanted to shout, an old rage spiking in my chest. You should change it.

But faced with Florihn’s baleful glare, the words wouldn’t come out. Rahvey looked cowed, but her eyes wandered back to the mewling infant. I moved to the child, stooped, and gathered her inexpertly into my arms.

“Put it down, Anglet,” said the midwife. “You are only making things harder. This is not helpful. It is cruel.”

I avoided her eyes, crossing to my sister with the child.

Rahvey gazed up at me, and beneath the exhaustion and hesitation, I thought I saw a flicker of something else, a faint but desperate hope.

“She looks like you,” I said, finding an unexpected smile.

Rahvey took the baby with trembling hands, moving it to her breast. The crying stopped abruptly. My sister tipped her head back a fraction and closed her eyes.

“Three daughters only,” Florihn intoned. “Blessing. Trial. Curse. The fourth is unseemly.”

“Florihn?” Rahvey said, gazing at the infant now.

“Look what you are doing to her!” said Florihn, seizing my arm and turning me round. “You don’t live here, Anglet. You don’t belong here.”

Anger flashed in my eyes, and she let go of my arm as if it were hot, but then her face closed, hardened.

“We will give the child up,” she said. “That is the end of the matter.”

“Florihn?” said Rahvey.

The midwife turned to her reluctantly, her expression softening. “What do you need, hon?” she asked, sugar sweet.

“Maybe,” Rahvey began, like a woman inching out over a narrow bridge, “if we explained to Sinchon and the elders that we could raise her, maybe they would listen.”

“No,” said Florihn, so quick and hard that Rahvey winced, and the midwife had to rebuild her look of simpering benevolence before she could proceed. “I am the elders’ representative here. I speak to and for them. We cannot allow our traditions, the beliefs handed down to us from our grandparents and their parents before them, to be trodden underfoot when they do not suit our wishes.”

“The world changes, Florihn,” I said, amazed at my own audacity. “The things we assume will last forever go away like the Beacon.”

“That is the city,” said Florihn. “That is not us. The Lani must stand by their ways. No mother can have four daughters.”

“Perhaps Vestris would help?” said Rahvey. “She’s rich, connected—”

“Do you see her here?” snapped Florihn. “Your precious sister has not come to see you for how long now?”

Rahvey said nothing.

“You should forget her as she has forgotten you and the place where she grew up,” said Florihn.

I bristled at this, but kept my mouth shut.

Rahvey, meanwhile, seemed to crumple inwardly and, as she began to weep in silence, nodded.

“But she is still your daughter—,” I began.

“The matter is closed,” said Florihn. “I suggest you leave us to our ways, Anglet. You aren’t Lani anymore.”

“What?” I exclaimed. She had said it like it had been on the tip of her tongue for years and she waited for the necessary anger to say it aloud. The accusation awoke a new boldness in me. “Look at me!” I said, sticking out my arms. “Lani through and through. Like the people I have worked with every day since I left the Drowning.”

“Steeplejacks!” Florihn sneered. “What kind of work is that for a Lani?”

“Common,” I replied.

“Urchin work,” she shot back. “City work.”

“Compared to what?” I returned, fury sweeping away my usual diffidence. “Growing a few onions on the edge of a swamp? Mending pots and pans? Peddling folk crafts to people who think they’re quaint? Panning for gold in a river of filth?”

“I will not defend our customs—our heritage—to a … a kolek!”

Even in her rage, she had to steel herself to say the word. A kolek is a type of root vegetable. Its skin is brown, but the flesh within is white.

If she had not been three times my age, I would have hit her.

She saw me flinch, and a flicker of cruel satisfaction went through her face, spurring her on. “But you are not even a kolek,” she said. “If you were, the chalkers would treat you better. You are not one of us. You are not one of them. You are not one of the blacks. You are nothing, and your opinions mean nothing here.”

I reeled as if struck, and the sensation was not just anger and outrage. Her words were a match touched to the powder in my heart, and now it blazed with a hot and poisonous flame: a part of me thought she was right.

There was a long, stunned silence while I gathered my thoughts, and when I spoke, it was quietly and with conviction. “I will take the child,” I said, thinking suddenly and painfully of Berrit, who the world had already forgotten. “She is beautiful. She has been born on the same day Papa was taken from us. She should not grow up unwanted.”

The room fell silent again.

“You?” asked Florihn.

“Yes,” I said, sounding more sure than I felt.

“By yourself? With no husband?” Florihn pressed.

“What use has Sinchon ever been in the raising of your family?” I asked my sister. She looked away. “I will come for her tomorrow, but you can tell the elders that you want to keep her. Make them talk about it. If they won’t change their minds—” I faltered, but only for a second. “—I will keep her. And if I can’t, there is always Pancaris.”

Florihn stared, her mind working, and Rahvey watched her, wary and unsure, like a cornered weancat.

“Tomorrow?” my sister repeated.

“Yes.”

Rahvey looked pale, uncertain, suspended between feelings, but when she felt Florihn’s eyes on her, she nodded.

“This requires a blood oath,” said the midwife, picking up the knife. “You must swear by all we hold true and precious. Hold out your hands.”

I stared at the knife, and the scale of what I was doing crowded in on me so that for a moment I couldn’t breathe. “Not my hands,” I said. “I have to be able to work.”

“Your face, then,” said Florihn, her eyes hard. “There may be scarring.”

I blinked but managed to shake my head fractionally. “It doesn’t matter,” I said.

“Very well,” said the midwife with a tiny, satisfied smile. “Kneel down.”

I did as I was told, feeling the quickening of my heart, as if the blood that was to be let were rising up in protest.

“Anglet Sutonga,” she intoned, “do you swear you will take this child, this fourth daughter, from your sister Rahvey and raise her as your own or, failing that, find suitable accommodation for her, so that she grows up in a manner seemly and fitting for a Lani child?”

I opened my mouth, but the words didn’t come out.

Florihn’s eyes narrowed. “You have to say it,” she said.

“Yes,” I managed. “I swear.”

And without further warning, Florihn slashed my cheeks with her knife, first the left, then the right.

The edge was scalpel sharp, and I felt the blood run before the pain sang out, bright and hot. With it came shock and a sudden terrible clarity.

What have I done?

Florihn methodically took up one of the towels she had brought and clamped it to my bleeding face, gripping my head tightly and staring searchingly into my eyes for a long minute.

There was a knock at the door.

“Can I come in?”

Sinchon.

“In a moment, sweet,” said Rahvey.

“Just tell me,” he demanded. “Boy or girl?”

The three of us exchanged bleak and knowing looks.

“A girl,” Rahvey answered heavily. “We will keep her for tonight, but Anglet will come for her tomorrow. I’m sorry.”

Sinchon said nothing—expressed no sorrow, no commiseration with his grief-stricken wife, nothing—and moments later, we heard the outside door of the hut slam closed as he left.

Florihn was still clamping the towel to my face, pressing hard to stanch the bleeding, and I felt a flare of rage that, for the moment, burned away any doubt that what I was doing was right.

Copyright © 2016 by A.J. Hartley

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New Releases: 6/14/16

Here’s what went on sale today!

opens in a new windowAir Time by Hank Phillippi Ryan

opens in a new windowAir Time by Hank Phillippi RyanWhen savvy TV reporter Charlotte McNally enters the glamorous world of high fashion, she soon discovers that when the purses are fake–the danger is real.

Charlotte can’t tell the real from the false as she goes undercover to bring the couture counterfeiters to justice and struggles to answer a life-changing question from a certain handsome professor.

The one thing Charlotte knows for sure is that the wrong choice could be the last decision she ever makes.

opens in a new windowFalse Hearts by Laura Lam

opens in a new windowFalse Hearts by Laura LamRaised in the closed cult of Mana’s Hearth and denied access to modern technology, conjoined sisters Taema and Tila dream of a life beyond the walls of the compound. When the heart they share begins to fail, the twins escape to San Francisco, where they are surgically separated and given new artificial hearts. From then on they pursue lives beyond anything they could have previously imagined.

Ten years later, Tila returns one night to the twins’ home in the city, terrified and covered in blood, just before the police arrive and arrest her for murder–the first homicide by a civilian in decades. Tila is suspected of involvement with the Ratel, a powerful crime syndicate that deals in the flow of Zeal, a drug that allows violent minds to enact their darkest desires in a terrifying dreamscape. Taema is given a proposition: go undercover as her sister and perhaps save her twin’s life. But during her investigation Taema discovers disturbing links between the twins’ past and their present. Once unable to keep anything from each other, the sisters now discover the true cost of secrets.

opens in a new windowThe Galahad Archives Book Two by Dom Testa

opens in a new windowThe Galahad Archives Book Two by Dom TestaThe Galahad Archives Book Two: Into Deep Space is the second of three thrilling two-book omnibus editions in the Galahad Archives series for young adults by Dom Testa. The edition includes the novels The Cassini Code and The Dark Zone.

When the tail of the comet Bhaktul flicks through the Earth’s atmosphere, deadly particles are left in its wake. Suddenly, mankind is confronted with a virus that devastates the adult population. Only those under the age of eighteen seem to be immune. A renowned scientist proposes a bold plan: to create a ship that will carry a crew of 251 teenagers to a home in a distant solar system. Two years later, the Galahad and its crew—none over the age of sixteen—is launched.

opens in a new windowMEG: Nightstalkers by Steve Alten

opens in a new windowMEG: Nightstalkers by Steve AltenIn this fifth installment of the New York Times bestselling MEG series,Nighstalkers picks up where MEG: Hell’s Aquarium left off. Bela and Lizzy, the dominant Megalodon siblings from Angel’s brood, have escaped the Tanaka Institute to roam the Salish Sea in British Columbia. While Jonas Taylor and his friend Mac attempt to either recapture or kill the “sisters,” Jonas’s son, David, embarks on his own adventure, motivated by revenge. Having witnessed his girlfriend’s gruesome death, David has joined a Dubai Prince’s ocean expedition, tracking the 120-foot, hundred-ton Liopleurodon that escaped from the Panthalassa Sea. Haunted by night terrors, David repeatedly risks his life to lure the Lio and other prehistoric sea creatures into the fleet’s nets, while battling his own suicidal demons.

opens in a new windowThe Mermaid’s Secret by Katie Schickel

opens in a new windowThe Mermaid’s Secret by Katie SchickelLife on land is suffocating for Jess Creary, who wastes her summers flipping burgers for tourists on a fishing boat off her quaint resort island home off the coast of Maine. After all, her older sister Kay died in a boating accident two years ago, her mother has disappeared, and her father isn’t exactly dealing with things so well. Surfing and the handsome Captain Matthew are about the only bright spots in her life.

Then, on her twenty-third birthday, Jess catches the perfect wave–a wave that transforms her into a mermaid. Under the sea, a startlingly beautiful, dark place, Jess is reborn into a confident, powerful predator with superhuman strength –finally she is someone to be reckoned with. Meanwhile, back on land, Jess’s relationship with Captain Matthew heats up, and so does her search for justice for Kay.

opens in a new windowSteeplejack by A. J. Hartley

opens in a new windowSteeplejack by A. J. HartleySeventeen-year-old Anglet Sutonga, Ang for short, works repairing the chimneys, towers, and spires of Bar-Selehm, the ethnically-diverse industrial capital of a land resembling Victorian South Africa. The city was built on the trade of luxorite, a priceless glowing mineral. When the Beacon, a historical icon made of the largest piece of luxorite known to exist, is stolen, this news commands the headlines. Yet no one seems to care about the murder of Ang’s new apprentice Berrit. But when Josiah Willinghouse, an enigmatic young politician, offers her a job investigating his death, she plunges headlong into dangers she could not foresee. On top of this legwork, Ang struggles with the responsibility of caring for her sister’s newborn child.

opens in a new windowWriting the Blockbuster Novel by Albert Zuckerman

opens in a new windowWriting the Blockbuster Novel by Albert ZuckermanAlbert Zuckerman, legendary literary agent, has worked with many bestselling authors, including Ken Follett, Olivia Goldsmith, Antoinette Van Heugten, Michael Lewis, and F. Paul Wilson. Zuckerman is a master at teaching writers the skills necessary to crack the bestseller list.

For this revised edition of Writing the Blockbuster Novel, Zuckerman has added an analysis of Nora Roberts’s The Witness, which he uses along with classic books like Gone With the Wind and The Godfather, to illustrate his points. Zuckerman’s commentary on Ken Follett’s working outlines for The Man From St. Petersburg provide a blueprint for building links between plot and character. A new introduction discusses social media and self-publishing.

NEW FROM TOR.COM:

opens in a new windowReturn of Souls by Andy Remic

opens in a new windowReturn of Souls by Andy RemicIf war is hell, there is no word to describe what Private Jones has been through. Forced into a conflict with an unknowable enemy, he awakes to find himself in a strange land, and is soon joined by young woman, Morana, who tends to his wounds and tells him of the battles played out in this impossible place.

She tells him of an Iron Beast that will end the Great War, and even as he vows to help her find it, enemy combatants seek them, intent on their utter annihilation.

NEW IN MANGA:

opens in a new windowMasamune-kun’s Revenge Vol. 1 Story by Takeoka Hazuki; Art by Tiv

opens in a new windowServamp Vol. 6 by Strike Tanaka

opens in a new windowSee upcoming releases.

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Writing POC While White

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steeplejackWritten by opens in a new windowA. J. Hartley

My most recent novel, Steeplejack, is a vaguely steampunky fantasy adventure that centers on Anglet Sutonga, a woman of color. She lives in the city of Bar-Selehm, a place which does not actually exist and never has. The city looks a bit like South Africa but looks more like Victorian London than South Africa ever did, and its political system looks more like apartheid than like the early years of colonialism.

What this means, of course, is that I’m inventing the world and its people, drawing on current issues as much as I am those of the past, and mixing those with known histories. I am not a person of color (POC), and my writing one may raise issues that can be encapsulated by what I call “the Jurassic Park conundrum”: “Your scientists were so preoccupied with whether or not they could, that they didn’t stop to think if they should,” or more simply as, “Why?”

There are several really good reasons why white guys shouldn’t write POC characters. First, they often do it badly, and by badly I don’t just mean incompetently, clumsily, or unconvincingly, but offensively. Too often writers play upon stereotypes and white notions of what it means to be a POC (please God, fellow white people, stop writing your Stepin Fetchit version of Ebonics in the name of authenticity). Conversely, and almost as problematic to my mind, many writers assume that race/ethnicity is irrelevant, so characters can be written as white and then (like the awful colorizing of old movies) given a superficial tint.

Race is a real and meaningful part of who we are, so writing a racially-neutral character and then giving them dark skin or an “ethnic-sounding” name doesn’t allow that character to reflect upon the social realities that shaped their sense of self, particularly how they have been treated by the greater, imperfect world.

These two extremes in how race is treated create a real dilemma for writers who may have the best motives in the world, but motives get you only so far; the success of any writing depends on how it is received by its audience, not by the intentions of the author. So how do you allow race to be a formative part of a character, without reducing that character to a kind of cipher for their demographic in ways that deny the essential and complex personhood of the individual? That’s the challenge for me: not hiding from race but also not allowing it—particularly my white man’s assumptions about what it is—to entirely define the character.

As a writer, I have a great deal of interest in the friction that occurs when some aspect of a person—whether it’s race, gender, profession, interests, tastes, personality, or whatever—is at odds with what might be assumed about them. That’s a rich vein for a fiction writer, especially one like me who has always felt a little between categories, never quite fitting in. But as a white man I understand that there are realms of experience which I do not have, and other experiences which I am socially-coded to ignore or demean. At least, I know it with my head, but not always in my gut. As a literary academic (I’m a Shakespeare professor) as well as a novelist, I’ve spent a lot of time thinking about the intersection of books and social issues. My home life has allowed me to see those issues in less abstract terms (my wife and son are POC). So while I believe I can understand a little how it feels to be an “outsider,” my gender and race have been, broadly-speaking, assets.

In Japan, for instance, where I lived for a couple of years a quarter century or so ago, I often felt excluded and there were occasional instances (generally involving older people) when I definitely felt the shadow of World War II, but I never felt looked down upon for my race in ways some non-Japanese Asians in the same community did. I have lived in Boston, in Atlanta, and now in Charlotte. In all these places, my Britishness has often triggered a certain “You’re not from round here” wariness or skepticism, but never contempt.

Other people usually assume I’m more sophisticated because of my upbringing (something my Lancashire, working-class school friends would have found hilarious). I’m constantly told that British people all sound smart to Americans, and while that remains baffling to me, I know I benefit from it. While I know what it’s like not to fit in, I’m not constantly judged or demeaned based solely on what people think when they see me. The legacies of colonialism, sexism, and racism are, to this day, power in various forms. Recognizing this has, I think, helped my writing.

My impulse to write characters of color is political and stems from the belief that writers have an obligation to reflect the world they live in. People approach that challenge in a variety of ways, but I feel compelled to try in a small way to redress the historical bias which has taken white (and frequently male, and almost always straight) as the default position. I don’t claim to be an expert, but I am committed to giving diverse characters my very best shot, while simultaneously supporting marginalized writers in the telling of their own stories.

People ask whether I did a lot of research into the lives of people of color before writing this book, and the short answer is: “Consciously? Not much.” As a white man, I don’t want to speak over my wife (who is East Asian) and son’s voices, but I can tell you how my family’s experiences of racism have impacted my writing as well.

Once, while at the grocery store with my mixed-race son, a lady approached me and very politely asked which adoption agency I’d used because she was looking to do the same. As part of an interracial couple I’m alert to these issues and see first-hand that people treat me differently than they do my wife. Some instances, known as microaggressions, are when people talk about the “little stuff”: questions about where she’s “really” from (Chicago), or the pleased relief that she speaks English. Some are more hurtful, as when someone dismissed her Harvard degree on the grounds that “They have quotas for people like you.”

When we first got together I had some very difficult conversations with some well-meaning people who, while professing not to be in any way racist, said, “It’s just the children I worry about.” I hear the fake Chinese some of the local kids start doing when they see us walking the dog in our very white neighborhood, and I’m now talking to my son about how he identifies himself racially in preparation for checking boxes in college applications. Compared to the reality of my wife’s grandfather’s World War II internment (and subsequent loss of all his property), these may seem like minor concerns, but my point is that we’re aware of race all the time. We talk about it all the time.

Life is the apprenticeship you need to be a writer. We all recognize the importance of writing what we know and—particularly in speculative fiction—expanding that sense of knowledge so that we don’t limit ourselves to the prosaically mundane. But what we know is often less about study and research and more about what we have absorbed through daily interactions. I am not a person of color, but the people dearest to me are, and I am made observant and reflective of their lot by love.

Portraying disempowered Otherness on the page is still possible even if you don’t know it (in your gut) as lived experience. You can research it. You can talk to other people about it. Hell, you can see it in the news every day. But writing a POC character when you aren’t one yourself is not the same as writing a profession you know nothing about—plumbing, say—which you can fake your way through by watching a few How To videos on YouTube. In the end, all you can do is try to do it with sensitivity and respect, but—and this is more important—be ready to listen to those better qualified to assess what you’ve done when they tell you you’ve got it wrong. Again, meaning well isn’t enough, and the road to hell really is paved with good intentions.

To return to the Jurassic Park conundrum, however, it’s fair to ask whether the attempt is worth the effort. Indeed, some say that white people writing POC characters or books is itself a form of appropriation, which means there is less room on the shelves for writers of color telling their own stories (there’s opens in a new windowa good articulation of this perspective here). But I also think that writing about race (and all the other “isms”) is important because all people have a stake in these conversations, and we need to find ways to discuss such things which break down that sense of our culture as fundamentally siloed, divided, and fractious.

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Sneak Peek: Steeplejack by A.J. Hartley

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opens in a new windowSteeplejack by A.J. HartleySeventeen-year-old Anglet Sutonga lives repairing the chimneys, towers, and spires of the city of Bar-Selehm. Dramatically different communities live and work alongside each other. The white Feldish command the nation’s higher echelons of society. The native Mahweni are divided between citylife and the savannah. And then there’s Ang, part of the Lani community who immigrated over generations ago as servants and now mostly live in poverty on Bar-Selehm’s edges.

When Ang is supposed to meet her new apprentice Berrit, she instead finds him dead. That same night, the Beacon, an invaluable historical icon, is stolen. The Beacon’s theft commands the headlines, yet no one seems to care about Berrit’s murder—except for Josiah Willinghouse, an enigmatic young politician. When he offers her a job investigating his death, she plunges headlong into new and unexpected dangers.

Thoughtfully imaginative and action-packed, opens in a new windowSteeplejack is A. J. Hartley’s YA debut set in a 19th-century South African fantasy world—available June14th. Please enjoy this excerpt.

CHAPTER 1

THE LAST PERSON UP here never made it down alive, but there was no point thinking about that. Instead, I did what I always did—focused on the work, on the exact effort of muscle, the precise positioning of bone and boot that made it all possible. Right now, that meant pushing hard with my feet against the vertical surface of one wall while my shoulders strained against another, three feet away. I was horizontal, or as near as made no difference, the two brick faces forming an open shaft. If I relaxed even fractionally, I would die on the cobbles eighty feet below.

So don’t.

It really was that simple. You figured out what you needed to do to stay alive, and you did it, however your sinews screamed and your head swam, because giving in meant falling, and falling meant death.

I was working the old cement factory on Dyer Street, bypassing a rusted-out portion of the ladder to the roof on my way to rebuilding the chimney itself, the top rim of which had shed bricks till it looked like a broken tooth. I braced myself and inched my way up, brick by brick, till I reached the section of ladder that was still intact and tested it with one cautious hand.

Seems solid enough.

I pivoted and swung my body weight onto the lowest rung. For a moment, I was weightless in empty air, seesawing between life and death, and then I was safe on the ladder and climbing at ten times my previous speed.

I am Anglet Sutonga—Ang to those who think they know me—and I am a steeplejack, one of perhaps six or seven dozen who work the high places of Bar-Selehm. Some say I am the best since the Crane Fly himself, half a century ago. They might be right at that, but boasting—even if it stays in your head—makes you careless, and the one thing you really can’t afford up there on the spires and clock towers and chimneys is carelessness. If I was good, it was because at seventeen I’d lived longer than most.

I moved easily over the roof to the point where the great round tower of the chimney reached up into the murky sky, tested the ladder, and began the slow climb to the top. Most of the really tall factory chimneys—the hundred- or two-hundred-footers—taper as they go, but they generally flare at the top, sometimes with an elaborate cap that juts out. These make for interesting climbing. You scale straight up; then you have to kick out and back, hanging half upside down over nothing, till you get over the cap and onto the upper rim.

There are no ladders at the top. If you leave them in place, the anchor holes in the mortar will trap moisture and crack the brick, so after each job, the steeplejack takes the ladders down and fills the holes. In this case, the ladder up to the cap was still there because two months ago, Jaden Saharry—the boy who had been working the chimney—fell, and no one had finished the job.

He was thirteen.

Most steeplejacks are boys. When they are young, it doesn’t much matter what sex they are, because the work is just getting up inside the fireplaces of big houses and climbing around in the chimneys with a brush and scraper. It is all about being small, and less likely to get stuck. But as the steeplejacks grow too big for domestic chimneys and graduate to the factory stacks, strength and agility become key. Then, since no one is looking for a bride who can outlift him, the girls are gradually given other things to do with their daylight hours. I was the only girl over fourteen in the Seventh Street gang, and I maintained my position there by climbing higher and working harder than the boys. And, of course, by not falling.

A new boy—Berrit—was supposed to be up here, waiting for me to show him the ropes, but there was no sign of him. Not a good start, though in truth, a part of me was relieved.

Today I would want to be alone with my thoughts as much as possible.

Ten feet below the great brick overhang of the cap, I cleared the last mortared hole with my chisel and hooked one leg over the top of the ladder so I could use both hands. I took a wooden dowel from my pocket and pressed it into the cavity with the heel of my hand, then drew an iron spike—what we call a dog—from the satchel slung across my chest, positioned its tip against the protruding end of the dowel, and drove it in with three sharp blows of my lump hammer. The action meant straightening up and back, and I felt the strain in my belly muscles as I leaned out over the abyss. The ground, which I could see upside down if I craned back far enough, was a good two hundred feet below. Between me and it, a pair of vultures was circling, their black, glossy wings flashing with the pale light of dawn. I’d been higher, but there comes a point when a few more feet doesn’t really make any difference. Dead is dead, whether you fall from fifty feet or three hundred.

The dog split the dowel peg and anchored in the brick. I tested it, then ran the rope to pull the last length of ladder into place, ignoring the tremble of fatigue in my arms as I hooked and lashed it firm. I took a breath, then climbed the newly positioned rungs, which leaned backwards over the chimney cap, angling my boots and gripping tightly with my hands. Carefully, like a trapeze artist, I hauled my body up, out, and over. I was used to being up high, but it was only when I had to navigate the chimney caps that I felt truly unnerved.

And thrilled.

I didn’t do the job just because I was good at it. I liked it up here by myself, high above the world: no Morlak looking over my shoulder, no boys testing how far they had to go before I threw a punch, no wealthy white folk curling their lips as if I put them off their breakfast.

I clambered over and sat inside the broad curve of the chimney’s fractured lip, conscious of my heart slowing to something like normal as I gazed out across the city. From here I could count nearly a hundred chimneys like this one. Some taller, some squat, some square sided or stepped like pyramids, but mostly round like this, pointing up into the sky like great smoking guns, dwarfing the minarets and ornamental roofs that had survived from former ages.

It had once been beautiful, this bright, hot land rolling down to the sea. In places, it still was—wide and open savannahs where the sveld beasts grazed and the clavtar stalked; towering mountains, their topmost crags lost in cloud; and golden, palm-fringed beaches.

And sky. Great swatches of startling, empty blue where the sun burned high during the day, and night brought only blackness and a dense scattering of stars.

That’s how it had been, and how it still was not so very far away. But not here. Not in Bar-Selehm. Here were only iron and brick and a thick, pungent smoke that hung in perpetual shroud over the pale city, shading its ancient domed temples and stately formal buildings. A couple of miles inland, down by the Etembe market, the air was ripe with animal dung, with the mouthwatering aroma of antelope flesh roasted over charcoal braziers, with cardamom, nutmeg, and pepper and, when the wind blew in from the west, the dry but fertile fragrance of the tall grass that bent in the breeze all the way to the mountains. In the opposite direction was the ocean, the salt air redolent with fish and seaweed and the special tang of the sea. But here there was only smoke. Even all the way up the chimneys, above the city, and at what should have been the perfect vantage on the minarets of Old Town, and on the courts and monuments of the Finance District, I could see little through the brown fog, and though I wore a ragged kerchief over my mouth and nose, I could still taste it. When I spat, the slime was spotted with black flakes.

“If the work doesn’t kill you,” Papa used to say, “the air will.”

I sat on the dizzying top, my legs hooked over the edge, and below me nothing for two hundred feet but the hard stone cobbles that would break a body like a hundred hammers.

I studied the cracked and blackened bricks around the chimney’s rim. Three whole rows were going to have to come out, which meant ferrying hods of new bricks and mortar up and down the ladders. It was a week’s work or more. I was faster than the others on the team, and though that generally earned me little but more work, I might make an extra half crown or two. Morlak didn’t like me, but he knew what I was worth to him. And if I didn’t do the job, if Sarn or Fevel took over, they’d mess it up, or miss half of what needed replacing, and we’d all suffer when the chimney cap crumbled.

I gazed out over the city again, registering … something.

For a moment it all felt odd, wrong, and I paused, trying to process the feeling. It wasn’t just my mood. It was a tugging at the edge of consciousness like the dim awareness of an unfamiliar scent or a half memory. I moved into a squat, hands down on the sooty brick, eyes half-closed, but all I got was the fading impression that the world was somehow … off.

I frowned, then reached back and worked the tip of my chisel into the crumbled mortar. Steeplejacks don’t have much time for imagination except, perhaps, in fiction, and since I’m the only one I know who reads books, I’m not really representative. Three sharp blows with the hammer, and the brick came free, splintering in the process, so that a flake flew out and dropped into the great black eye of the chimney.

I cursed. Morlak would let me know about it if I filled the grate at the bottom with debris. I gathered the other remains and scooped them into my satchel, then repositioned the chisel and got on with the job.

No one choses to be a steeplejack. A few are poor whites and orphans, some are blacks who fall foul of the city and cannot return to a life among the herds on the savannah, but most are Lani like me, lithe and brown, hazel eyed, and glad of anything that puts food in their mouths. A few, men like Morlak—it is always men—make it into adulthood and run the gangs, handing off the real work to the kids while they negotiate the contracts and count the profits.

I didn’t mind it so much. The heights didn’t bother me, and the alternative was scrubbing toilets, working stalls in the market, or worse. At least I was good at this. And on a clear day, when the wind parted the smog, Bar-Selehm could still be beautiful.

I set the hammer down. The satchel was getting full and I had only just begun. Standing up, I turned my back toward the ladder, and for a moment, I felt the breeze and steadied myself by bending my knees slightly. In that instant it came again, that sense that the world was just a little wrong. And now I knew why.

There was something missing.

Normally, my view of the city from hereabouts would be a gray-brown smear of rooftops and chimney spikes, dark in the gloom, save where a single point of light pricked the skyline, bathing the pale, statuesque structures of the municipal buildings with a glow bright and constant as sunlight. Up close it was brilliant, hard to look at directly, even through the smoke of the chimneys. By night it kept an entire block and a half of Bar-Selehm bright as day, and even in the densest smogs it could be seen miles out to sea, steering sailors better than the cape point lighthouse.

It was known as the Beacon. The light was housed in a crystal case on top of the Trade Exchange, a monument to the mineral on which the city had been built, and a defiantly public use of what was surely the most valuable item in the country. The stone itself was said to be about the size of a man’s head, and was therefore the largest piece of luxorite ever quarried. It had been there for eighty years, over which time its light had barely diminished. Its value was incalculable.

And now it was gone. I strained my eyes, disbelieving, but there could be no doubt. The Beacon was not dimmed or obscured by the smoke. It was gone, and with that, the world had shifted on its axis, a minute adjustment that altered everything. Even for someone like me, who was used to standing tall in dangerous places, the thought was unsettling. The Beacon was a constant, a part of the world that was just simply there. That it wasn’t felt ominous. But it also felt right, as if the day should be commemorated with darkness.

Papa.

I touched the coin I wore laced round my neck, then took a long breath. There was still no sign of Berrit, and my satchel needed emptying.

After moving to the top of the ladder, I reached one leg over, then the other. There was a little spring in the wood, but the dogs I had hammered into the brickwork were tight, and the ladder felt sure under my weight. Even so, I was careful, which was just as well, because I was halfway over the perilous cap when someone called out.

The suddenness of it up there in the silence startled me. One hand, which had been moving to the next rung, missed its mark, and for a moment, I was two-thirds of the way to falling. I righted myself, grabbed hold of the ladder, and stared angrily down, expecting to see Berrit, the new boy, made stupid by lateness.

But it wasn’t, and my annoyance softened.

It was Tanish, a Lani boy, about twelve, who had been with the gang since his parents died three years ago. He was scrambling recklessly up, calling my name still, his face open, excited.

“Stop,” I commanded. “Wait for me on the roof.”

He looked momentarily wounded, then began to climb down.

Tanish was the closest thing I had to an apprentice. He followed me around, learning the tricks of the trade and how to survive in the gang, gazing at me with childish admiration. He was a sweet kid, too sweet for Seventh Street, and sometimes it was my job to toughen him up.

“Never call up to me like that,” I spat as soon as we were both at the foot of the chimney. “Idiot. I nearly lost my grip.”

“Not you, Ang,” the boy answered, flushed and sheepish. “You’ll never fall.”

“Not till I do,” I said bleakly. “What are you doing here? I thought you were working the clock tower on Dock Street?”

“Finished last night,” said Tanish, pleased with himself. “Superfast, me.”

“And it still tells the right time?”

Tanish beamed. Last time he had been working a clock with Fevel, they had left the timepiece off by three and a half hours. When the owner complained, they climbed back up and reset it twice more, wildly wrong both times, too embarrassed to admit that neither one of them could tell time. Eventually Morlak had done them a diagram and they had had to climb up at double the usual speed to set the mechanism. Even so, they had left the clock four minutes slow and its chime still tolled the hour after every other clock in the city, so that the gang jokingly referred to Tanish Time which meant, simply, late. .

“Well?” I demanded, releasing the hair I keep tied back while I work. It fell around my shoulders and I ran my fingers roughly through it. “What’s so important?”

“It’s your sister,” said Tanish, unable to suppress his delight that he was the one to bring the news. “The baby. It’s time.”

I closed my eyes for a moment, my jaw set. “Are they sure?” I asked. “I wasted half of yesterday sitting around out there—”

“The runner said they’d brought the midwife.”

Today of all days, I thought. Of course it would be today.

“Right,” I said half to myself. “Tell Morlak I’m going.”

My pregnant sister, Rahvey, was three years my senior. We did not like each other.

“Morlak says you can’t go,” said Tanish. “Or—” He thought, trying to remember the gang leader’s exact words. “—if you do, you better be back by ten and be prepared to work the late shift.”

That was a joke. Rahvey and her husband, Sinchon, lived in a shanty on the southwest side of the city, an area traversed by minor tributaries of the river Kalihm, and populated by laundries, water haulers, and dyers. It was known as the Drowning, and it would take me an hour to get there on foot.

Well, there was no avoiding it. I would have to deal with Morlak when I got back.

Morlak was more than a gang leader. In other places, he might have been called a crime lord, and crossing him was, as the Lani liked to say, “hazardous to the health,” but since he provided Bar-Selehm’s more respectable citizens with a variety of services, he was called simply a businessman. That gave him the kind of power he didn’t need to reinforce with a stick and brass knuckles, and ordinarily I would not dream of defying him.

But family was family: another infuriating Lani saying.

I had two sisters: Vestris, the eldest and most glamorous, who I barely saw anymore; and Rahvey, who had raised me while Papa worked, a debt she would let me neither pay nor forget.

“Take my tools back for me,” I said, unslinging the satchel.

“You’re going?” said Tanish.

“Seems so,” I answered, walking away. I had taken a few steps before I remembered the strangeness I had felt up there on the chimney and stopped to call back to him. “Tanish?”

The boy looked up from the satchel.

“What happened to the Beacon?” I asked.

The boy shrugged, but he looked uneasy. “Stolen,” he said.

“Stolen?”

“That’s what Sarn said. It was in the paper.”

“Who would steal the Beacon?” I asked. “What would be the point? You couldn’t sell it.”

Tanish shrugged again. “Maybe it was the Grappoli,” he said. Everything in Bar-Selehm could be blamed on the Grappoli, our neighbors to the northwest. “I’ll go with you.”

“Don’t you have to get to work?”

“I’m supposed to be cleaning Captain Franzen,” he said. “Supplies won’t be here till lunchtime.”

Captain Franzen was a glorified Feldish pirate who had driven off the dreaded Grappoli three hundred years ago. His statue stood atop a ceremonial pillar overlooking the old Mahweni docks.

“You can come,” I said, “but not into the birthing room, so you won’t see my sister perform her maternity.”

He gave me a quizzical look.

“The stage missed a great talent when my sister opted to stay home and have babies,” I said, grinning at him.

He brightened immediately and fell into step beside me, but a few strides later stopped suddenly. “Forgot my stuff,” he said. “Wait for me.”

I clicked my tongue irritably—Rahvey would complain about how late I was even if I ran all the way—and stood in the street, registering again the void where the glow of the Beacon should be. It was like something was missing from the air itself. I shuddered and turned back to the factory wall.

“Come on, Tanish!” I called.

The boy was standing beneath the great chimney, motionless. In fact, he wasn’t so much standing as stooping, frozen in the act of picking up his little duffel of tools. He was staring fixedly down the narrow alley that ran along the wall below the chimney stack. I called his name again but he didn’t respond, and something in his uncanny stillness touched an alarm in my head. I began moving toward him, my pace quickening with each step till I was close enough to seize him by his little shoulders and demand what was keeping him.

But by then I could see it. Tanish turned suddenly into my belly, clinging to me, his eyes squeezed shut, his face bloodless, and over his shoulder I saw the body in the alley, knowing—even from this distance—that Berrit, the boy I had been waiting for, had not missed our meeting after all.

Copyright © 2016 by A. J. Hartley

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